Journal | Rassegna iberistica
Journal issue | 40 | 107 | 2017
Research Article | Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos
Abstract
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.
Submitted: April 12, 2016 | Accepted: Jan. 10, 2017 | Published June 29, 2017 | Language: pt
Keywords Sidónio Muralha • Políbio Gomes dos Santos • Álvaro Feijó • Portugal • Novo Cancioneiro • Poetry
Copyright © 2017 Carlos Ceia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-6
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_684 |
dc.title |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos. Three Poets of Uneasiness in the Novo Cancioneiro |
dc.contributor.author |
Ceia Carlos |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
pt |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2017/107/alvaro-feijo-sidonio-muralha-e-polibio-gomes-dos-s/ |
dc.description.abstract |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 40 | Issue 107 | June 2017 |
dc.issued |
2017-06-29 |
dc.dateAccepted |
2017-01-10 |
dc.dateSubmitted |
2016-04-12 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-6 |
dc.peer-review |
yes |
dc.subject |
Novo Cancioneiro |
dc.subject |
Novo Cancioneiro |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Políbio Gomes dos Santos |
dc.subject |
Políbio Gomes dos Santos |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Sidónio Muralha |
dc.subject |
Sidónio Muralha |
dc.subject |
Álvaro Feijó |
dc.subject |
Álvaro Feijó |
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