Restauro e tutela per le collezioni pittoriche del Seicento

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DC Field	Value
dc.identifier	ECF_chapter_8273
dc.contributor.author	Failla Maria Beatrice
dc.title	Restauro e tutela per le collezioni pittoriche del Seicento. Appunti per un nuovo racconto
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Since the mid-twentieth century, Italian art historians have developed a negative perception towards the restoration practices that involved the paintings in collections and galleries in the seventeenth century. This essay aims to reconsiders how such a historiographic misinterpretation originated, deconstructing the critical debates that evolved from the 1950s until recent years. In order to establish a clear-cut understanding of the 1600s pictorial restorations, the author reconsiders examples from the picture galleries in the Italian Peninsula, weighting them against the practices of restoration that evolved in a few Europe courts in the same years.
dc.relation.ispartof	Sapere l’Europa, sapere d’Europa
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-06-21
dc.dateAccepted	2022-06-03
dc.dateSubmitted	2022-04-26
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-624-4/restauro-e-tutela-per-le-collezioni-pittoriche-del/
dc.identifier.doi	10.30687/978-88-6969-623-7/004
dc.identifier.issn	2611-0040
dc.identifier.eissn	2610-9247
dc.identifier.isbn	978-88-6969-716-6
dc.identifier.eisbn	978-88-6969-623-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Europe
dc.subject	History of Art Criticism
dc.subject	History of restoration
dc.subject	Italian peninsula
dc.subject	Restoration of paintings
dc.subject	Seventeenth century

Chapter
open access peer reviewed

Restauro e tutela per le collezioni pittoriche del Seicento

Appunti per un nuovo racconto

Maria Beatrice Failla Università degli Studi di Torino, Italia

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abstract

Since the mid-twentieth century, Italian art historians have developed a negative perception towards the restoration practices that involved the paintings in collections and galleries in the seventeenth century. This essay aims to reconsiders how such a historiographic misinterpretation originated, deconstructing the critical debates that evolved from the 1950s until recent years. In order to establish a clear-cut understanding of the 1600s pictorial restorations, the author reconsiders examples from the picture galleries in the Italian Peninsula, weighting them against the practices of restoration that evolved in a few Europe courts in the same years.

Published

June 21, 2022

Accepted

June 3, 2022

Submitted

April 26, 2022

Language

ISBN (PRINT)

978-88-6969-716-6

ISBN (EBOOK)

978-88-6969-623-7

Keywords: Europe • Italian peninsula • Seventeenth century • Restoration of paintings • History of Art Criticism • History of restoration

permalink: http://doi.org/10.30687/978-88-6969-623-7/004

Copyright: © 2022 Maria Beatrice Failla. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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