Il mercato antiquariale nella Venezia di Ruskin

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DC Field	Value
dc.identifier	ECF_chapter_4852
dc.contributor.author	Agazzi Michela
dc.title	Il mercato antiquariale nella Venezia di Ruskin. L’arte medievale in Germania
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Ruskin made his first trips to Venice when the city was under the Austrian domination, a long period which witnessed the dispersion of many Venetian medieval artworks. These items became of interest to a market which had to meet several requests, including high-standard commissions aimed at creating museums and evocative places. This is the case with the massive purchase by Frederick William of Prussia, in the 1840s, of some ancient medieval sculptures in Italy: among them we can find some Venetian masterpieces all bought from the same trader (Pajaro). Frederick William’s brother as well, Charles, bought several Venetian artworks to replicate a Venetian cloister in the Glienicke Palace. Finally, the Church of Peace in Potsdam is adorned with a mosaic bought in Murano, once part of the demolished Saint Cyprian Church.
dc.relation.ispartof	Sources, Literatures, Arts & Landscapes of Europe
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-488-2/il-mercato-antiquariale-nella-venezia-di-ruskin/
dc.identifier.doi	10.30687/978-88-6969-487-5/013
dc.identifier.issn	2724-6620
dc.identifier.eissn	2784-8507
dc.identifier.isbn	978-88-6969-488-2
dc.identifier.eisbn	978-88-6969-487-5
dc.rights	Creative Commons 4.0 Attribution + Noncommercial + NoDerivatives
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Art Market
dc.subject	Art Market
dc.subject	Francesco Pajaro
dc.subject	Francesco Pajaro
dc.subject	Gustav von Waagen
dc.subject	Gustav von Waagen
dc.subject	John Ruskin
dc.subject	John Ruskin
dc.subject	Klosterhof Glienicke
dc.subject	Klosterhof Glienicke
dc.subject	Medieval Art
dc.subject	Medieval Art
dc.subject	Museums of Venice
dc.subject	Museums of Venice
dc.subject	Potsdam Friedenskirche
dc.subject	Potsdam Friedenskirche
dc.subject	State Museum Berlin
dc.subject	State Museum Berlin
dc.subject	Venice
dc.subject	Venice

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Il mercato antiquariale nella Venezia di Ruskin

L’arte medievale in Germania

Michela Agazzi Università Ca’ Foscari Venezia, Italia

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abstract

Ruskin made his first trips to Venice when the city was under the Austrian domination, a long period which witnessed the dispersion of many Venetian medieval artworks. These items became of interest to a market which had to meet several requests, including high-standard commissions aimed at creating museums and evocative places. This is the case with the massive purchase by Frederick William of Prussia, in the 1840s, of some ancient medieval sculptures in Italy: among them we can find some Venetian masterpieces all bought from the same trader (Pajaro). Frederick William’s brother as well, Charles, bought several Venetian artworks to replicate a Venetian cloister in the Glienicke Palace. Finally, the Church of Peace in Potsdam is adorned with a mosaic bought in Murano, once part of the demolished Saint Cyprian Church.

Published

Dec. 15, 2020

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ISBN (PRINT)

978-88-6969-488-2

ISBN (EBOOK)

978-88-6969-487-5

Keywords: Klosterhof Glienicke • Gustav von Waagen • Venice • John Ruskin • State Museum Berlin • Art Market • Medieval Art • Francesco Pajaro • Potsdam Friedenskirche • Museums of Venice

permalink: http://doi.org/10.30687/978-88-6969-487-5/013

Copyright: © 2020 Michela Agazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.

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