Storie dell’arte contemporanea

1868 e dintorni

Il ruolo del Museo Correr nella salvaguardia e conservazione delle memorie veneziane

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Abstract

In 1868 – two years after the annexation of Venice to Italy – the Correr Museum became more and more a point of reference as civic identity and a place of heritage conservation for its historical, artistic and naturalistic memories. Many collections are added to the original one by Teodoro Correr, requiring the extension of museum spaces in the Fondaco dei Turchi. On the model of museums owned by the great European cities, inspired by the model of the Arts and Crafts movement, a new layout for artistic and economic restart of the City is being designed.


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Published Dec. 14, 2018 | Language: it

Keywords Giovanni Devers • Niccolò Barozzi • Museo Civico Venezia • Artistic heritage • Fondaco dei Turchi • Staging • Museo Correr

Copyright © 2018 Camillo Tonini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-294-9/007


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