The paper focuses on «stralingua» and on the stylistic features of Scabia’s writing. The use of language in Nane Oca’s trilogy is hardly comparable to any other experience in Italian literary tradition. Resorting to several syntactical and morphological strategies, Scabia rescues language from its contemporary opaqueness, forcing its mechanisms to recover the possibility of an authentic expression.
«Stralingua». Linguistic features. Syntax.