Postals no escrites (2001), de Felícia Fuster

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Campo DC	Valore
dc.identifier	ECF_chapter_192
dc.contributor.author	Altimir Merce
dc.title	Postals no escrites (2001), de Felícia Fuster. L’experiència íntima i l’espai de representació i de joc
dc.type	Capitolo
dc.language.iso	ca
dc.description.abstract	Felícia Fuster’s task as a translator of contemporary Japanese poetry and the intellectual environment of Paris, where she lived, can provide the key to interpret her book of poems Postals no escrites. Although the book appeared in 2001, the haikus it contains were written after a trip to Japan in 1985. The choreographic arrangement of the postcards opens the path to a new intimate experience which ensures that the distance in relation to the social space of representation is preserved. The discussion of Fuster’s work considers the works of several present-day intellectuals because these inform a reflection on the modern psychological-narcissistic narrow-mindedness and the long Platonic and Aristotelic tradition in Western society. In this sense, Roland Barthes’ definition of Japan as a construct provides another reading angle that suggests the possibility of a different symbolic existence.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-03-01
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-067-9/postals-no-escrites-2001-de-felicia-fuster/
dc.identifier.doi	10.14277/6969-059-4/RiB-2-6
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-067-9
dc.identifier.eisbn	978-88-6969-059-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Byun-Chul
dc.subject	Byun-Chul
dc.subject	Felícia Fuster
dc.subject	Felícia Fuster
dc.subject	Jacques Lacan
dc.subject	Jacques Lacan
dc.subject	Japan
dc.subject	Japan
dc.subject	Modern catalan poetry
dc.subject	Modern catalan poetry
dc.subject	Roland Barthes
dc.subject	Roland Barthes

Capitolo
open access

Postals no escrites (2001), de Felícia Fuster

L’experiència íntima i l’espai de representació i de joc

Merce Altimir Universitat Autònoma de Barcelona, España

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abstract

Felícia Fuster’s task as a translator of contemporary Japanese poetry and the intellectual environment of Paris, where she lived, can provide the key to interpret her book of poems Postals no escrites. Although the book appeared in 2001, the haikus it contains were written after a trip to Japan in 1985. The choreographic arrangement of the postcards opens the path to a new intimate experience which ensures that the distance in relation to the social space of representation is preserved. The discussion of Fuster’s work considers the works of several present-day intellectuals because these inform a reflection on the modern psychological-narcissistic narrow-mindedness and the long Platonic and Aristotelic tradition in Western society. In this sense, Roland Barthes’ definition of Japan as a construct provides another reading angle that suggests the possibility of a different symbolic existence.

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ISBN (PRINT)

978-88-6969-067-9

ISBN (EBOOK)

978-88-6969-059-4

Keywords: Byun-Chul • Roland Barthes • Japan • Jacques Lacan • Felícia Fuster • Modern catalan poetry

permalink: http://doi.org/10.14277/6969-059-4/RiB-2-6

Copyright: © 2016 Merce Altimir. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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