The Dark Side of Being: On What There is Not
open access | peer reviewed-
edited by
- Filippo Casati - Lehigh University - email
- Filippo Costantini - Ca' Foscari University of Venice - email
In contrast to Quine’s (meta-)ontology and his preference for desert landscapes, recent years have seen a renewed interest in ‘non-being’: non-existent entities, mere possibilia, negative properties, negative facts, absences, nothingness, voids, holes, etc. Interest in the category of non-being is not limited to ontology but has also found applications in the philosophy of mind, particularly regarding the role intentionality plays in relation to non-entities and the problem of perceiving absences. Additionally, it has influenced the philosophy of art, especially in discussions about absence art – i.e., art that features absences as aesthetic objects. This issue of JoLMA highlights the richness of the topic by presenting eight fresh papers that range from metaphysics, ontology, and epistemology, to philosophy of language, aesthetics, and philosophy of mind.
Keywords Nothingness • Ostensive definition • Characterization Principle • Eliminativist error theories • absolute nothingness • Non-existent objects • (Modal) noneism • Adorno • Radical perceptualism • Lack • Semantics • Being • Moderate perceptualism • Nāgārjuna • Non-Being • Be missing • absence • Kant’s table of nothing • mixed-media • nonidentity • Pictorial abscences • Cognitivism • Mixed quotation • Verbs of absence • Absence • Empty string • Metaphysical Grounding • Informalism • Perception of absences • negative nothingness • Empty quotation • Reported speech • Metacognitivism • Millares • Nuclear properties • Absence Causation • Fictional objects • Aristotle’s homonymy
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/02 | Published Dec. 11, 2024 | Language en
Copyright © Filippo Casati, Filippo Costantini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.