Journal | Rassegna iberistica
Journal issue | 43 | 113 | 2020
Research Article | Poetry and Painting
Poetry and Painting
- Alessandro Ghignoli - Universidad de Málaga, España - email
This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through the study of lecturer Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. A later Albertian poetics that prevails within the different writings of the great Spanish poet.
Submitted: Jan. 9, 2020 | Published: June 19, 2020 | Language: es
Copyright © 2020 Alessandro Ghignoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2020/113/009
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_3151 |
|
dc.title |
Poetry and Painting. About Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta by Loretta Frattale |
|
dc.contributor.author |
Ghignoli Alessandro |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2020/113/poesia-y-pintura/ |
|
dc.description.abstract |
This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through the study of lecturer Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. A later Albertian poetics that prevails within the different writings of the great Spanish poet. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 43 | Issue 113 | June 2020 |
|
dc.issued |
2020-06-19 |
|
dc.dateSubmitted |
2020-01-09 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2020/113/009 |
|
dc.peer-review |
no |
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