Journal | Rassegna iberistica
Journal issue | 40 | 107 | 2017
Research Article | Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos
Three Poets of Uneasiness in the Novo Cancioneiro
- Carlos Ceia - Universidade Nova de Lisboa, Portugal - email
Abstract
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.
Submitted: April 12, 2016 | Accepted: Jan. 10, 2017 | Published June 29, 2017 | Language: pt
Keywords Poetry • Álvaro Feijó • Políbio Gomes dos Santos • Portugal • Sidónio Muralha • Novo Cancioneiro
Copyright © 2017 Carlos Ceia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-6
Articles
- «Había de ver nacer mandrágoras en los locutorios»: a Note on Buscón, III, 9
- Gáldrick de la Torre
- June 29, 2017
- Don Perlimplín in Venice: Nono and Maderna
- Andrés Soria Olmedo
- June 29, 2017
- The Ritualisation of Time in La Morte Rouge
- Iacopo Russo
- June 29, 2017
- Literary Antecedents Vargas Llosa’s ‘niña mala’
- Martin Eduardo García Calle
- June 29, 2017
-
Eternal Curse on the Reader of These Pages / Maldición eterna a quien lea estas páginas
An Example of Autotranslation - Alex Borio
- June 29, 2017
-
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos
Three Poets of Uneasiness in the Novo Cancioneiro - Carlos Ceia
- June 29, 2017
- Baltasar Porcel in English: a Chronicle of the Translation of Cavalls cap a la fosca
- Francesc Borrull
- June 29, 2017
Notes
- Poetry and Poets under Franco’s Regime
- Serge Buj
- June 29, 2017
- Jorge Luis Borges and Anachronism
- Carlo Bordoni
- June 29, 2017
Reviews
- Prestigiacomo, Carla (a cura di) (2017). Identità, totalitarismi e stampa. Ricodifica linguistica-culturale dei media di regime. Palermo: Palermo University Press, pp. 388
- María Soledad Padilla
- June 29, 2017
- Ruffinatto, Aldo (2015). Dedicato a Cervantes. Madrid: SIAL Ediciones, pp. 261. Prosa Barroca
- Veronica Orazi
- June 29, 2017
- Candeloro, Antonio (2016). Javier Marías y el enigma del tiempo. Murcia: EDITUM, pp. 390
- Valeria Cavazzino
- June 29, 2017
- Carnero, Guillermo (2017). Regiones devastadas. Sevilla: Fundación José Manuel Lara, pp. 88
- Alessandro Mistrorigo
- June 29, 2017
- Bellini, Giuseppe (2016). Gli effimeri regni di questo mondo. La narrativa di Alejo Carpentier. Roma: Bulzoni, pp. 120
- Susanna Regazzoni
- June 29, 2017
- Bartra, Roger (2015). I territori del terrore e dell’alterità. Trad. di Maria Cristina Secci. Milano: Mimesis, pp. 139
- Alice Favaro
- June 29, 2017
- Alfonso, Vitalina (2015). Un país para narrar. La Habana: Letras Cubanas, pp. 108
- Susanna Regazzoni
- June 29, 2017
- de Diego, Josefina (2016). El reino del abuelo. Presentación de Eliseo Alberto. La Habana: colección Sur Editores, pp. 76
- Fabiola Cecere
- June 29, 2017
- Venturini, Santiago (2016). En la colonia agrícola. Rosario: Iván Rosado Ediciones, pp. 63
- René Julio Lenarduzzi
- June 29, 2017
- Silva Carvalho, Armando (2015). A Sombra do Mar. Lisboa: Assírio & Alvim, pp. 99
- Manuel G. Simões
- June 29, 2017
- Grassi, Silvia (2016). Gender and Sexual Dissidence on Catalan and Spanish Television Series. An Intercultural Analysis. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 284
- Enric Bou
- June 29, 2017
- Roig, Silvia (2016). Aurora Bertrana. Innovación literaria y subversión de género. Woodbridge: Tamesis, pp. 357
- Enric Bou
- June 29, 2017
- Stegmann, Tilbert Dídac (2016). El plaer de llegir literatura catalana. Lleida: Pagès Editors, pp. 287
- Lidia Carol Geronès
- June 29, 2017
- Fernàndez, Josep-Anton; Subirana, Jaume (eds.) (2015). Funcions del passat en la cultura catalana contemporània: Institucionalització, representació i identitat. Lleida: Punctum, pp. 310
- Silvia Grassi
- June 29, 2017
Reviewing Proposals
- Pubblicazioni ricevute
- June 29, 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_684 |
|
dc.title |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos. Three Poets of Uneasiness in the Novo Cancioneiro |
|
dc.contributor.author |
Ceia Carlos |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
pt |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2017/107/alvaro-feijo-sidonio-muralha-e-polibio-gomes-dos-s/ |
|
dc.description.abstract |
Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Issue 107 | June 2017 |
|
dc.issued |
2017-06-29 |
|
dc.dateAccepted |
2017-01-10 |
|
dc.dateSubmitted |
2016-04-12 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-107-17-6 |
|
dc.peer-review |
yes |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Novo Cancioneiro |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Políbio Gomes dos Santos |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Sidónio Muralha |
|
dc.subject |
Álvaro Feijó |
|
dc.subject |
Álvaro Feijó |
| Download data |
-
file_download 7
-
search 296
-
format_quote 0
