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Naturaleza y artificio en los paisajes de Flaubert

Juan Calatrava    Escuela Técnica Superior de Arquitectura, Granada, España    

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abstract

This paper focuses on the evolution of the sentiment of landscape in Gustave Flaubert’s work, both in his travel stories (in Brittany and, especially, in Near East, with the famous Voyage en Orient) and in his major literary works (Salammbô, Madame Bovary, L’éducation sentimentale, Bouvard et Pécuchet). It is part of a more general and collective research in the School of Architecture of Granada about the image of architecture, town and landscape in literature and painting.

Published
Dec. 10, 2020
Accepted
Sept. 21, 2020
Submitted
Aug. 1, 2020
Language
ES

Keywords: XIXth Century LiteratureTravel LiteratureLandscape and Architecture in LiteratureOrientalismGustave Flaubert

Copyright: © 2020 Juan Calatrava. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.