Journal | MDCCC 1800
Journal issue | 1 | 2012
Research Article | The General's Objective
Abstract
In the figurative history of the Italian Resurgence (Risorgimento), a special place is occupied by the most famous and popular character of the time, Giuseppe Garibaldi, a true, skilled expert of photography and its potentialities. During the Expedition of the One-Thousand (Spedizione dei Mille) in 1860, his features and his deeds are immortalized on glass plates and on canvas by many photographers and patriot-artists he met along the walk. And it is really the relationship between these two art forms, as well as their mutual influence, which characterizes the brief but intense figurative production of the «Hero of Two Worlds» during the most legendary episode of the Italian Risorgimento.
Published July 25, 2012 | Language: it
Copyright © 2012 Giulio Brevetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2280-8841/MDCCC-1-12-6