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DC Field	Value
dc.identifier	ECF_article_601
dc.title	Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
dc.contributor.author	Vignoli Alessia
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	fr
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2016/1/louis-philippe-dalembert-vagabond-jusquau-bout-de/
dc.description.abstract	The Haitian novelist and poet Louis-Philippe Dalembert (Port-au-Prince, 1962) has developed in his works of fiction the concept of vagabondage as a literary projection of his biographical wandering through multiple spaces. The aim of this essay is to study the presence of vagabondage and its distinctive features in those novels written by Dalembert that reflect the writer’s perpetual motion: Le Crayon du bon Dieu n’a pas de gomme (1996), L’Autre face de la mer (1998), L’Île du bout des rêves (2003), Les dieux voyagent la nuit (2006). The main characters are constantly moving, they are cosmopolitan wanderers who belong to many places at the same time, just like Dalembert himself. By analyzing the representation of movement in these fictions, we will show that the notion of vagabondage is depicted by the author as a positive and meaningful opportunity for the vagabond who travels across countries, languages and cultures.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 18 \| December 2016
dc.issued	2016-12-19
dc.dateAccepted	2016-12-16
dc.dateSubmitted	2016-09-02
dc.identifier.issn
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2499-5975/Tol-18-16-3
dc.peer-review	yes
dc.subject	Contemporary Haitian Literature
dc.subject	Contemporary Haitian Literature
dc.subject	Louis-Philippe Dalembert
dc.subject	Louis-Philippe Dalembert
dc.subject	Vagabondage
dc.subject	Vagabondage
dc.subject	Wandering
dc.subject	Wandering

Research Article
open access peer reviewed

Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»

Alessia Vignoli Institut d’études romanes, Université de Varsovie, Pologne

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abstract

The Haitian novelist and poet Louis-Philippe Dalembert (Port-au-Prince, 1962) has developed in his works of fiction the concept of vagabondage as a literary projection of his biographical wandering through multiple spaces. The aim of this essay is to study the presence of vagabondage and its distinctive features in those novels written by Dalembert that reflect the writer’s perpetual motion: Le Crayon du bon Dieu n’a pas de gomme (1996), L’Autre face de la mer (1998), L’Île du bout des rêves (2003), Les dieux voyagent la nuit (2006). The main characters are constantly moving, they are cosmopolitan wanderers who belong to many places at the same time, just like Dalembert himself. By analyzing the representation of movement in these fictions, we will show that the notion of vagabondage is depicted by the author as a positive and meaningful opportunity for the vagabond who travels across countries, languages and cultures.

Published

Dec. 19, 2016

Accepted

Dec. 16, 2016

Submitted

Sept. 2, 2016

Language

Keywords: Contemporary Haitian Literature • Wandering • Vagabondage • Louis-Philippe Dalembert

permalink http://doi.org/10.14277/2499-5975/Tol-18-16-3

Copyright: © 2016 Alessia Vignoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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