Infinite Jest’s Voice(s)

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DC Field	Value
dc.identifier	ECF_article_7489
dc.title	Infinite Jest’s Voice(s). Notes for an (Audible) Map
dc.contributor.author	Ardovino Adriano
dc.contributor.author	Masiero Pia
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/english-literature/2021/1/infinite-jests-voices/
dc.description.abstract	We often refer to a book as having a voice that sounds uniquely distinctive, a voice that stays with us after a book is over. Voice is a key narratological term; together with its twin partner – focalization – it constitutes the skeleton of a given storyworld. The first – experiential – conception of voice is difficult to grasp and articulate and has something to do with a specific tonality we perceive in a direct, almost visceral way. The second – scholarly – produces a host of definitional moves, which tend to crystallize it in a dominant mode of articulating a story. “Infinite Jest’s Voice(s)” aims to bridge the two conceptions of voice just sketched, trying to give the sense of the book’s having a distinctive, unforgettable, voice as far as the reader’s experience is concerned.
dc.relation.ispartof	English Literature
dc.relation.ispartof	Vol. 8 \| December 2021
dc.issued	2022-03-16
dc.dateAccepted	2021-11-21
dc.dateSubmitted	2021-12-09
dc.identifier.issn
dc.identifier.eissn	2420-823X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/EL/2420-823X/2021/08/003
dc.peer-review	yes
dc.subject	David Foster Wallace
dc.subject	Infinite Jest
dc.subject	Joelle van Dyne
dc.subject	Madame Psychosis
dc.subject	Narrator
dc.subject	Voice

Research Article
open access peer reviewed

Infinite Jest’s Voice(s)

Notes for an (Audible) Map

Pia Masiero Università Ca’ Foscari Venezia, Italia

Adriano Ardovino Università degli Studi “G. D’Annunzio” Chieti-Pescara, Italia

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abstract

We often refer to a book as having a voice that sounds uniquely distinctive, a voice that stays with us after a book is over. Voice is a key narratological term; together with its twin partner – focalization – it constitutes the skeleton of a given storyworld. The first – experiential – conception of voice is difficult to grasp and articulate and has something to do with a specific tonality we perceive in a direct, almost visceral way. The second – scholarly – produces a host of definitional moves, which tend to crystallize it in a dominant mode of articulating a story. “Infinite Jest’s Voice(s)” aims to bridge the two conceptions of voice just sketched, trying to give the sense of the book’s having a distinctive, unforgettable, voice as far as the reader’s experience is concerned.

Published

March 16, 2022

Accepted

Nov. 21, 2021

Submitted

Dec. 9, 2021

Language

Keywords: Infinite Jest • David Foster Wallace • Madame Psychosis • Narrator • Voice • Joelle van Dyne

permalink http://doi.org/10.30687/EL/2420-823X/2021/08/003

Copyright: © 2021 Pia Masiero, Adriano Ardovino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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