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Research Article

George Gissing: A Story of English Realism


Rebecca Hutcheon    Lancaster University, UK    


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abstract

George Gissing’s novels sit on the permeable boundary between the diegetic tendencies of 19th-century realism and the mimesis-dominated narratives of modernism. In his early novels, characters deliver barely disguised narratorial comments directly to the reader. But this form of realism is already strained. The self-awareness of Gissing’s art, manifesting in satire and irony, butts up against his research-led approach to writing. This article shows that what emerges in Gissing is a conflict between narrative intrusion, and the desire to displace authority and represent subjectivity at its broadest. This conflict is a synecdoche for proto-modernism.

Keywords: Gissing. Mimesis. Artistic Gaze. Proto-modernism.

Language: en

Submitted: Nov. 20, 2019
Accepted: Dec. 10, 2019
Published: March 9, 2020

permalink: http://doi.org/10.30687/EL/2420-823X/2019/01/004

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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