Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana

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DC Field	Value
dc.identifier	ECF_chapter_17797
dc.contributor.author	Stevanin Federica
dc.title	Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana Mendieta (1986-1996) di Tania Bruguera
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The controversial homage of Cuban artist Tania Bruguera (1968) to her compatriot Ana Mendieta (1948‑85) is a particular case of reenactment. In fact, by reenacting the works of Mendieta, Bruguera wishes to re-establish a link between the past and the present of Cuban art, but on the other hand, due to the particular ways in which it is conducted, ends up forcing the very limits and possibilities of reenactment.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-05
dc.dateAccepted	2023-07-19
dc.dateSubmitted	2023-06-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-760-9/reenactment-autorialita-e-copyright-infringement-a/
dc.identifier.doi	10.30687/978-88-6969-760-9/009
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-760-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Ana Mendieta
dc.subject	Cuban art
dc.subject	Reenactment
dc.subject	Tania Bruguera

Chapter
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Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana Mendieta (1986-1996) di Tania Bruguera

Federica Stevanin Università degli Studi di Padova, Italia

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abstract

The controversial homage of Cuban artist Tania Bruguera (1968) to her compatriot Ana Mendieta (1948‑85) is a particular case of reenactment. In fact, by reenacting the works of Mendieta, Bruguera wishes to re-establish a link between the past and the present of Cuban art, but on the other hand, due to the particular ways in which it is conducted, ends up forcing the very limits and possibilities of reenactment.

Published

Dec. 5, 2023

Accepted

July 19, 2023

Submitted

June 19, 2023

Language

ISBN (EBOOK)

978-88-6969-760-9

Keywords: Cuban art • Reenactment • Tania Bruguera • Ana Mendieta

permalink: http://doi.org/10.30687/978-88-6969-760-9/009

Copyright: © 2023 Federica Stevanin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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