Ruskin’s Islamic Orient and the Formation of a European Ideal

« previous chapter | next chapter »

Iscriviti alla newsletter

DC Field	Value
dc.identifier	ECF_chapter_4858
dc.contributor.author	Zaman Mujadad
dc.title	Ruskin’s Islamic Orient and the Formation of a European Ideal
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	The Ruskinian attitude towards the non-European, and in particular, the Islamic ‘other’, may at first seem definitive. This position being made evident from Ruskin’s descriptions of the lugubrious nature of Islam’s sacred scripture, its peoples, arts and Weltanschauung. This paper argues, contrary to this bien pensant view, that Ruskin’s oeuvre intimates an ongoing, lasting and unfinished discussion with the Islamic Orient, from the earliest drafts of The Stones of Venice to later discourses on morality, history and religion. Whilst the sympathies for the refinement and delicacy of Islamic art and its influences upon the Venetian Gothic are well documented in the literature, Ruskin’s engagement with Islam (both positive and negative) has yet to be fully explored. This paper endeavours to warp and weft the strands of these ideas into a sustained discussion of Ruskin’s ideals in his oeuvre.
dc.relation.ispartof	Sources, Literatures, Arts & Landscapes of Europe
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-15
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-488-2/ruskins-islamic-orient-and-the-formation-of-a-euro/
dc.identifier.doi	10.30687/978-88-6969-487-5/020
dc.identifier.issn	2724-6620
dc.identifier.eissn	2784-8507
dc.identifier.isbn	978-88-6969-488-2
dc.identifier.eisbn	978-88-6969-487-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Aesthetics
dc.subject	Aesthetics
dc.subject	Europe
dc.subject	Europe
dc.subject	Gothic
dc.subject	Gothic
dc.subject	Islam
dc.subject	Islam
dc.subject	Orient
dc.subject	Orient
dc.subject	Ruskin
dc.subject	Ruskin

Chapter
open access

Ruskin’s Islamic Orient and the Formation of a European Ideal

Mujadad Zaman University of Tübingen, Deutschland

VIEW PDF DOWNLOAD PDF

abstract

The Ruskinian attitude towards the non-European, and in particular, the Islamic ‘other’, may at first seem definitive. This position being made evident from Ruskin’s descriptions of the lugubrious nature of Islam’s sacred scripture, its peoples, arts and Weltanschauung. This paper argues, contrary to this bien pensant view, that Ruskin’s oeuvre intimates an ongoing, lasting and unfinished discussion with the Islamic Orient, from the earliest drafts of The Stones of Venice to later discourses on morality, history and religion. Whilst the sympathies for the refinement and delicacy of Islamic art and its influences upon the Venetian Gothic are well documented in the literature, Ruskin’s engagement with Islam (both positive and negative) has yet to be fully explored. This paper endeavours to warp and weft the strands of these ideas into a sustained discussion of Ruskin’s ideals in his oeuvre.

Published

Dec. 15, 2020

Language

ISBN (PRINT)

978-88-6969-488-2

ISBN (EBOOK)

978-88-6969-487-5

Keywords: Aesthetics • Orient • Gothic • Islam • Ruskin • Europe

permalink: http://doi.org/10.30687/978-88-6969-487-5/020

Copyright: © 2020 Mujadad Zaman. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite