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DC Field	Value
dc.identifier	ECF_chapter_2033
dc.contributor.author	Lochert Véronique
dc.title	«Un apoyo que no hay que desdeñar». Formas y funciones de las acotaciones francesas (siglos XVI y XVII)
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	In the 17th century, French stage directions seem less numerous and more succinct than Spanish stage directions. This article provides an overview of the development of stage directions in French theatre from the 16th to the 17th century. The analysis of several revealing cases shows the diversity of French stage directions and highlights their intricate issues. The division between scripts for performance and texts for reading progressively gives way to a polyvalent dramatic text. The stage directions meet then the expectations of the actors as well as those of the readers and are quite often under the control of the dramatic poet, which enjoys a certain authority.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-11
dc.dateAccepted	2018-09-17
dc.dateSubmitted	2018-06-26
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-305-2/un-apoyo-que-no-hay-que-desdenar/
dc.identifier.doi	10.30687/978-88-6969-304-5/009
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-305-2
dc.identifier.eisbn	978-88-6969-304-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Editing, reading, performing dramatic texts
dc.subject	Editing, reading, performing dramatic texts
dc.subject	French theatre of the sixteenth and seventeenth ce
dc.subject	French theatre of the sixteenth and seventeenth ce
dc.subject	Stage directions
dc.subject	Stage directions

Chapter
open access peer reviewed

«Un apoyo que no hay que desdeñar»

Formas y funciones de las acotaciones francesas (siglos XVI y XVII)

Véronique Lochert Université de Haute-Alsace, France

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abstract

In the 17th century, French stage directions seem less numerous and more succinct than Spanish stage directions. This article provides an overview of the development of stage directions in French theatre from the 16th to the 17th century. The analysis of several revealing cases shows the diversity of French stage directions and highlights their intricate issues. The division between scripts for performance and texts for reading progressively gives way to a polyvalent dramatic text. The stage directions meet then the expectations of the actors as well as those of the readers and are quite often under the control of the dramatic poet, which enjoys a certain authority.

Published

Dec. 11, 2018

Accepted

Sept. 17, 2018

Submitted

June 26, 2018

Language

ISBN (PRINT)

978-88-6969-305-2

ISBN (EBOOK)

978-88-6969-304-5

Keywords: French theatre of the sixteenth and seventeenth ce • Editing, reading, performing dramatic texts • Stage directions

permalink: http://doi.org/10.30687/978-88-6969-304-5/009

Copyright: © 2018 Véronique Lochert. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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