Musiche, sospiri e voci dalle tekke di Delvina

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DC Field	Value
dc.identifier	ECF_chapter_324
dc.contributor.author	De Zorzi Giovanni
dc.title	Musiche, sospiri e voci dalle tekke di Delvina
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Our journey begins from some buildings that were Dervish centres (tekke) in Delvina, Southern Albania. Far from the archaeology, in 2009 the visionary and far-sighted Gianclaudio proposed me to deal with what was happening and what was resonating inside such centres, i.e. of the intangible convivial and musical life of the dervishes. This would have taken me to a serious ethnomusicological fieldwork in Albania but, for some reasons, this fieldwork didn’t take place. This is why I cannot but propose here the phase of the preparation to the field that I’ve carried out at the times: I begin my article by retracing the history of the Bektâşî order of Dervishes in Albania, which very probably inhabited the centres, and then I focus on some of their musical genres, called nefes, that were played and sung during their rituals, called cem, âyin or âyin-i cem, on the long necked lute saz by a peculiar oral poet/troubadour called âşık (lover).
dc.relation.ispartof	Eurasian Studies
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-07-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-086-0/musiche-sospiri-e-voci-dalle-tekke-di-delvina/
dc.identifier.doi	10.14277/6969-085-3/EUR-4-23
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-086-0
dc.identifier.eisbn	978-88-6969-085-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Ashik
dc.subject	Ashik
dc.subject	Bektashi dervishes
dc.subject	Bektashi dervishes
dc.subject	Dervishes lodges
dc.subject	Dervishes lodges
dc.subject	Long manched lute saz
dc.subject	Long manched lute saz
dc.subject	Sufi music
dc.subject	Sufi music

Chapter
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Musiche, sospiri e voci dalle tekke di Delvina

Giovanni De Zorzi Università Ca’ Foscari Venezia, Italia

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abstract

Our journey begins from some buildings that were Dervish centres (tekke) in Delvina, Southern Albania. Far from the archaeology, in 2009 the visionary and far-sighted Gianclaudio proposed me to deal with what was happening and what was resonating inside such centres, i.e. of the intangible convivial and musical life of the dervishes. This would have taken me to a serious ethnomusicological fieldwork in Albania but, for some reasons, this fieldwork didn’t take place. This is why I cannot but propose here the phase of the preparation to the field that I’ve carried out at the times: I begin my article by retracing the history of the Bektâşî order of Dervishes in Albania, which very probably inhabited the centres, and then I focus on some of their musical genres, called nefes, that were played and sung during their rituals, called cem, âyin or âyin-i cem, on the long necked lute saz by a peculiar oral poet/troubadour called âşık (lover).

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ISBN (PRINT)

978-88-6969-086-0

ISBN (EBOOK)

978-88-6969-085-3

Keywords: Ashik • Sufi music • Long manched lute saz • Bektashi dervishes • Dervishes lodges

permalink: http://doi.org/10.14277/6969-085-3/EUR-4-23

Copyright: © 2016 Giovanni De Zorzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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