Vol. 59 | Giugno 2023
Lingua: it, fr, en
Pubblicato: 29 Agosto 2023
Egypt • Medieval reuses • Ossetic • Signifier • Labour • Imām Ḥusayn • Materiality • Colour as a sign • Lu Xun • Nasserism • Yi lü ma • Japanese compounds • Urartian inscriptions • Ghost narrative • Manichaean alphabet • Migrant workers’ poetry • Elite women in Modern Korea • Women artists • Literature and poetical imagery • Fragments d’un discours amoureux • Spolia • Ritual • Kyūshū • Religious change • Khojas • Compounding • Bao Tianxiao • Identity • Kanji • Ulysses • Translation analysis • Christianisation processes • Colonial subject • Education • Manichaean texts • Armenian translation • Venice • Signified • Posthuman existences • Venice Art Biennale • Individuality • Late Middle Japanese • British colonial rule • Ise • Korean New Women • Politics • Kakari-musubi • Japanese case particles • Mandarin Ducks and butterflies • Qie ming bo • Xiaolu Guo • Impact assessment • Ecolinguistics • Window • Armenian church • Asian religions in Italy • Sima Qian • Persian poetry • Archaeology • Chinese • Zaynab al-Ghazālī al-Ǧabīlī • Devotional literature • Environment • Nausicaa episode • Early new Persian • Cultural references • Technology • Gandhara • Jesus in Chinese literature • Muslim Brotherhood • Ḥurūf-i qāfiya • Marsiya • Persian language • Ishiuchi Miyako • Sinophone literature • Lai Hsiang-yin • Christianity in Chinese literature • Japanese photography • Islamicate Manichaeism • Yanagi Miwa • Women • Binomens • Buddhism • James Joyce • Translation strategies • Rewriting history • Sociolinguistic variation • Islamic movements • Political Islam • Dictatorship • Dystopian novel • International student • Colonial Korea • Roland Barthes • Safavid envoys • Appositive compounds • Sixteenth century • Diplomatic history • Adolescents • Literary translation • Art • Manners • Intertextuality • Ernst Haeckel • Early modern travel • Intercultural communication • Decorated tombs • Lee Wai Yi • Boat symbolism • Neoclassical compounds • Rhyme • Takao Suzuki • Salim Barakat • Japanese female photography • Independence movement • Socio-cultural signs • Workers’ poetry • Contemporary Chinese literature • History of photography • Ceremony • Tensho embassy • Conceptual combination • Donors • Republican Era literature • Toraakirabon • Cai Wei • Etymology • Poetics of ‘propensity’ • Ideology • Kyōgen • Hope and despair • Kawakami Hiromi • Šams-i Qays • Portrait • Gushi Xinbian • Women photographers • Ch’oe Yŏngsuk (Choi Young-Sook) • Sociology of literature • Eastern Iranian Languages • Khachkar • Chinese literature • Jesuit • Onomasiological approach • Buke Kojitsu • Protohistoric art • Gendered language • Japanese archaeology • Japan • Syrian novel • Elena Ferrante in China • Short story “Medicine” • Neoliberalism and Consumerism • Indo-European Languages • Safavid-Venetian relations • Ᾱghā khān • Collective sphere • A Lover’s Discourse • Kofun Period • Memories • Contemporary Arabic literature