The Artist in Present. Il reenactment come pratica curatoriale e

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Campo DC	Valore
dc.identifier	ECF_chapter_17795
dc.contributor.author	Portinari Stefania
dc.title	The Artist in Present. Il reenactment come pratica curatoriale e azione d'artista
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Reenactment as curatorial practice or re-presentation of performances is a much-debated issue. Between the 1990s and the 2000s a particularly increase in these interests have let critics and scholars to deal with the re-staging of famous exhibitions – as “Live in Your Head. When Attitudes Become Form” – or re-performances of artists active in the 1960 and 1970s. Through case studies, such as certain episodes at the Venice Biennale or Yoko Ono and Marina Abramović’s actions, this essay compares opinions and debates, and is an attempt to examine if reenactmens are truly creative acts or just «a parody».
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-05
dc.dateAccepted	2023-07-19
dc.dateSubmitted	2023-06-19
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-760-9/the-artist-in-present-il-reenactment-come-pratica/
dc.identifier.doi	10.30687/978-88-6969-760-9/007
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-760-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Germano Celant
dc.subject	Harald Szeemann
dc.subject	Magiciens de la Terre
dc.subject	Marina Abramović
dc.subject	Performance
dc.subject	Reenactment
dc.subject	Renato Barilli
dc.subject	Venice Biennale
dc.subject	When Attitudes Become Form
dc.subject	Yoko Ono

Capitolo
open access peer reviewed

The Artist in Present. Il reenactment come pratica curatoriale e azione d'artista

Stefania Portinari Università Ca’ Foscari Venezia, Italia

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abstract

Reenactment as curatorial practice or re-presentation of performances is a much-debated issue. Between the 1990s and the 2000s a particularly increase in these interests have let critics and scholars to deal with the re-staging of famous exhibitions – as “Live in Your Head. When Attitudes Become Form” – or re-performances of artists active in the 1960 and 1970s. Through case studies, such as certain episodes at the Venice Biennale or Yoko Ono and Marina Abramović’s actions, this essay compares opinions and debates, and is an attempt to examine if reenactmens are truly creative acts or just «a parody».

Pubblicato

05 Dicembre 2023

Accettato

19 Luglio 2023

Presentato

19 Giugno 2023

Lingua

ISBN (EBOOK)

978-88-6969-760-9

Keywords: Renato Barilli • Marina Abramović • Reenactment • Harald Szeemann • When Attitudes Become Form • Yoko Ono • Magiciens de la Terre • Performance • Germano Celant • Venice Biennale

permalink: http://doi.org/10.30687/978-88-6969-760-9/007

Copyright: © 2023 Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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