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Curatorial studies

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Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana Mendieta (1986-1996) di Tania Bruguera

Federica Stevanin    Università degli Studi di Padova, Italia    

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abstract

The controversial homage of Cuban artist Tania Bruguera (1968) to her compatriot Ana Mendieta (1948‑85) is a particular case of reenactment. In fact, by reenacting the works of Mendieta, Bruguera wishes to re-establish a link between the past and the present of Cuban art, but on the other hand, due to the particular ways in which it is conducted, ends up forcing the very limits and possibilities of reenactment.

Pubblicato
05 Dicembre 2023
Accettato
19 Luglio 2023
Presentato
19 Giugno 2023
Lingua
IT
ISBN (EBOOK)
978-88-6969-760-9

Keywords: Ana Mendieta • Reenactment • Tania Bruguera • Cuban art

permalink: http://doi.org/10.30687/978-88-6969-760-9/009

Copyright: © 2023 Federica Stevanin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.