Home > Catalogo > Storie dell’arte contemporanea > Curatorial studies > «Per esistere veramente le cose dovrebbero essere eterne, immortali»

Curatorial studies

home collana info collana | home volume
« capitolo precedente | capitolo successivo »
cover
cover
Capitolo

«Per esistere veramente le cose dovrebbero essere eterne, immortali»

Note attorno all’etica curatoriale e al reenactment di Comportamento

Giada Pellicari    Università IULM, Milano, Italia    

VIEW PDF DOWNLOAD PDF

abstract

This essay traces the challenges behind the reenactment of the Behaviour section of the main exhibition Work or Behaviour (Italian Pavilion) at the 36th Venice Biennale in 1972, under the curatorial direction of Renato Barilli. In 2017, after an intense research, Comportamento. Venice Biennale 1972. Italian Pavilion, with works by Gino De Dominicis, Luciano Fabro, Mario Merz, Germano Olivotto and Franco Vaccari was inaugurated at the Centre for Contemporary Art Luigi Pecci in Prato. Through a retrospective analysis, this paper provides a methodological example taking into account the modus operandi and the steps of this new art-historical operation.

Pubblicato
05 Dicembre 2023
Accettato
23 Agosto 2023
Presentato
19 Giugno 2023
Lingua
IT
ISBN (EBOOK)
978-88-6969-760-9

Keywords: Gerry Schum • Germano Olivotto • Mario Merz • Franco Vaccari • Gino De Dominicis • Reenactment • Luciano Fabro

permalink: http://doi.org/10.30687/978-88-6969-760-9/004

Copyright: © 2023 Giada Pellicari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.