Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos

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Campo DC	Valore
dc.identifier	ECF_article_684
dc.title	Álvaro Feijó, Sidónio Muralha e Políbio Gomes dos Santos. Três poetas do desassossego no Novo Cancioneiro
dc.contributor.author	Ceia Carlos
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	pt
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/107/alvaro-feijo-sidonio-muralha-e-polibio-gomes-dos-s/
dc.description.abstract	Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 40 \| Num. 107 \| Giugno 2017
dc.issued	2017-06-29
dc.dateAccepted	2017-01-10
dc.dateSubmitted	2016-04-12
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2037-6588/Ri-40-107-17-6
dc.peer-review	yes
dc.subject	Novo Cancioneiro
dc.subject	Novo Cancioneiro
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Políbio Gomes dos Santos
dc.subject	Políbio Gomes dos Santos
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Sidónio Muralha
dc.subject	Sidónio Muralha
dc.subject	Álvaro Feijó
dc.subject	Álvaro Feijó

Articolo
open access peer reviewed

Três poetas do desassossego no Novo Cancioneiro

Carlos Ceia Universidade Nova de Lisboa, Portugal

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abstract

Álvaro Feijó, Sidónio Muralha and Políbio Gomes dos Santos are three Portuguese poets coming into literary age during the 1940s when an important collection of books was published (Novo Cancioneiro) in Portugal’s Salazar. The new poets tried to be involved in the New Realism aesthetic power to overcome Salazar’s social repression and, through a new language far from the individual-driven patterns of late Modernism, they managed to offer a way to translate into verse people’s suffering, poverty and social and political seclusion. Each of the three poets introduced in this article follow a different path after 1944, and that is one reason why they failed as a literary group since they did not work under the very same flag, but they shared the same courage of other senior writers who defied the fascist regime at the same time. The three poets remain almost unknown and untouched in terms of literary criticism until today.

Pubblicato

29 Giugno 2017

Accettato

10 Gennaio 2017

Presentato

12 Aprile 2016

Lingua

Keywords: Políbio Gomes dos Santos • Novo Cancioneiro • Poetry • Sidónio Muralha • Álvaro Feijó • Portugal

permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-6

Copyright: © 2017 Carlos Ceia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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