Don Perlimplín en Venecia: Nono y Maderna

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Campo DC	Valore
dc.identifier	ECF_article_682
dc.title	Don Perlimplín en Venecia: Nono y Maderna
dc.contributor.author	Soria Olmedo Andrés
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/107/don-perlimplin-en-venecia-nono-y-maderna/
dc.description.abstract	The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 40 \| Num. 107 \| Giugno 2017
dc.issued	2017-06-29
dc.dateAccepted	2016-07-22
dc.dateSubmitted	2016-04-07
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2037-6588/Ri-40-107-17-2
dc.peer-review	yes
dc.subject	Avant-garde
dc.subject	Avant-garde
dc.subject	Music
dc.subject	Music
dc.subject	Theater
dc.subject	Theater
dc.subject	Translation
dc.subject	Translation
dc.subject	Transmediality
dc.subject	Transmediality

Articolo
open access peer reviewed

Andrés Soria Olmedo Universidad de Granada, España

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abstract

The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.

Pubblicato

29 Giugno 2017

Accettato

22 Luglio 2016

Presentato

07 Aprile 2016

Lingua

Keywords: Theater • Transmediality • Translation • Avant-garde • Music

permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-2

Copyright: © 2017 Andrés Soria Olmedo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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