The Power of Statues in Byzantium

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DC Field	Value
dc.identifier	ECF_chapter_19228
dc.contributor.author	De Zordi Elena
dc.title	The Power of Statues in Byzantium. The Wooden Effigy of Saint George in Omorfokklisia as a Talismanic Device
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Sculpture in Byzantium was viewed with suspicion. However, in Omorfokklisia, near Kastoria, is preserved a thirteenth-century wooden effigy of Saint George that defies this assumption. The colossal dimensions – the height reaches almost three meters – and the all-relief technique, typical of ancient statuary, detach it from all the rest of the Byzantine production. It is thus argued that this object was specifically manufactured following the model of classical monumental sculpture to enhance the power already indwelling in the depiction of a saint.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.dateAccepted	2023-10-30
dc.dateSubmitted	2023-09-17
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/the-power-of-statues-in-byzantium/
dc.identifier.doi	10.30687/978-88-6969-771-5/014
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Byzantine sculpture
dc.subject	Macedonia
dc.subject	Palaiologan Renaissance
dc.subject	Saint George
dc.subject	Wood

Chapter
open access peer reviewed

The Power of Statues in Byzantium

The Wooden Effigy of Saint George in Omorfokklisia as a Talismanic Device

Elena De Zordi Università Ca’ Foscari Venezia, Italia

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abstract

Sculpture in Byzantium was viewed with suspicion. However, in Omorfokklisia, near Kastoria, is preserved a thirteenth-century wooden effigy of Saint George that defies this assumption. The colossal dimensions – the height reaches almost three meters – and the all-relief technique, typical of ancient statuary, detach it from all the rest of the Byzantine production. It is thus argued that this object was specifically manufactured following the model of classical monumental sculpture to enhance the power already indwelling in the depiction of a saint.

Published

Dec. 22, 2023

Accepted

Oct. 30, 2023

Submitted

Sept. 17, 2023

Language

ISBN (EBOOK)

978-88-6969-771-5

Keywords: Palaiologan Renaissance • Wood • Byzantine sculpture • Macedonia • Saint George

permalink: http://doi.org/10.30687/978-88-6969-771-5/014

Copyright: © 2023 Elena De Zordi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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