The Object Looks Back: Paraesthetic Vision in Portrait de la

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DC Field	Value
dc.identifier	ECF_chapter_19237
dc.contributor.author	Tiwari Mansi
dc.title	The Object Looks Back: Paraesthetic Vision in Portrait de la jeune fille en feu and Optic Nerve
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Focusing on Céline Sciamma’s film, Portrait de la jeune fille en feu (2019) and Maria Gaínza’s novel, Optic Nerve (2014), I turn to two texts interested in the structure of vision to interrogate gendered dynamics of power. By formalizing alternate relations between subjects and objects, the portrait offers a space to negotiate the unidirectional and subordinating logic of the seeing subject. Focusing on interventions that interrupt and collapse the positions of the viewer and the viewer, both texts employ paraesthetic articulations of the gaze to redress the imbalance inherent in our conception of vision.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.dateAccepted	2023-10-30
dc.dateSubmitted	2023-09-17
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/the-object-looks-back-paraesthetic-vision-in-portr/
dc.identifier.doi	10.30687/978-88-6969-771-5/015
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Autotheory
dc.subject	Crossmapping
dc.subject	Gaze
dc.subject	New Formalism
dc.subject	Optic Nerve
dc.subject	Paraesthetics
dc.subject	Portrait de la jeune fille en feu
dc.subject	Portrait de la jeune fille en few
dc.subject	Visual Culture
dc.subject	Visual culture

Chapter
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The Object Looks Back: Paraesthetic Vision in Portrait de la jeune fille en feu and Optic Nerve

Mansi Tiwari University of Zurich, Switzerland

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abstract

Focusing on Céline Sciamma’s film, Portrait de la jeune fille en feu (2019) and Maria Gaínza’s novel, Optic Nerve (2014), I turn to two texts interested in the structure of vision to interrogate gendered dynamics of power. By formalizing alternate relations between subjects and objects, the portrait offers a space to negotiate the unidirectional and subordinating logic of the seeing subject. Focusing on interventions that interrupt and collapse the positions of the viewer and the viewer, both texts employ paraesthetic articulations of the gaze to redress the imbalance inherent in our conception of vision.

Published

Dec. 22, 2023

Accepted

Oct. 30, 2023

Submitted

Sept. 17, 2023

Language

ISBN (EBOOK)

978-88-6969-771-5

Keywords: Paraesthetics • Autotheory • Crossmapping • Optic Nerve • Portrait de la jeune fille en few • Visual Culture • Visual culture • Portrait de la jeune fille en feu • Gaze • New Formalism

permalink: http://doi.org/10.30687/978-88-6969-771-5/015

Copyright: © 2023 Mansi Tiwari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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