Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti

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DC Field	Value
dc.identifier	ECF_chapter_4187
dc.contributor.author	Trambaioli Marcella
dc.title	Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Lope de Vega’s posthumous fame in Italy differs according to the ages: if in the 17th century he was really appreciated and his dramas and comedies were often translated, adapted and represented, nowadays he’s practically absent in the dramatic production and there are just a few titles available in Italian translation. This also happens for his masterpieces. The case of El perro del hortelano is quite interesting, since there are three versions, by Ameyden, Gasparetti and Fiorellino, belonging to different periods and different conceptions of translation and literary taste. This article tries to analyse them in a comparative perspective.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.dateAccepted	2020-07-30
dc.dateSubmitted	2020-07-10
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-491-2/il-cane-dellortolano-de-lope-de-vega-segun-ameyden/
dc.identifier.doi	10.30687/978-88-6969-490-5/019
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-491-2
dc.identifier.eisbn	978-88-6969-490-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Antonio Gasparetti
dc.subject	Antonio Gasparetti
dc.subject	Barbara Fiorellino
dc.subject	Barbara Fiorellino
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Theodoro Ameyden
dc.subject	Theodoro Ameyden

Chapter
open access peer reviewed

Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino

Marcella Trambaioli Università del Piemonte Orientale, Vercelli, Italia

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abstract

Lope de Vega’s posthumous fame in Italy differs according to the ages: if in the 17th century he was really appreciated and his dramas and comedies were often translated, adapted and represented, nowadays he’s practically absent in the dramatic production and there are just a few titles available in Italian translation. This also happens for his masterpieces. The case of El perro del hortelano is quite interesting, since there are three versions, by Ameyden, Gasparetti and Fiorellino, belonging to different periods and different conceptions of translation and literary taste. This article tries to analyse them in a comparative perspective.

Published

Dec. 22, 2020

Accepted

July 30, 2020

Submitted

July 10, 2020

Language

ISBN (PRINT)

978-88-6969-491-2

ISBN (EBOOK)

978-88-6969-490-5

Keywords: Antonio Gasparetti • Lope de Vega • El perro del hortelano • Theodoro Ameyden • Barbara Fiorellino

permalink: http://doi.org/10.30687/978-88-6969-490-5/019

Copyright: © 2020 Marcella Trambaioli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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