La imagen de España en el cine catalán posterior a

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Campo DC	Valore
dc.identifier	ECF_chapter_2273
dc.contributor.author	Martínez-Expósito Alfredo
dc.title	La imagen de España en el cine catalán posterior a 2012
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	An essential component in the study of peripheries, the epistemic construction of the notions of center and centrality can be approached from many different perspectives. This paper focuses on the intersection of two of them: the imagological paradigm and the theory of nation branding. In the intersectional space between them, concepts such as cultural stereotyping, soft power and commercial nationalism are mobilised in ways that differ when a peripherical mindset is favoured. These theoretical tools open up a reflection on the processes of resemantisation that the image of Spain undergoes in contemporary Catalan cinema, as exemplified in the later works by director Ventura Pons. A commentary of Miss Dalí (2018), in the broader context of Pons’ production and of recent Catalan cinema, leads to provisional conclusions about strategies such as erasure, rarefication, negativisation and othering.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-08-02
dc.dateAccepted	2018-11-28
dc.dateSubmitted	2018-10-03
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-324-3/la-imagen-de-espana-en-el-cine-catalan-posterior-a/
dc.identifier.doi	10.30687/978-88-6969-323-6/013
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-324-3
dc.identifier.eisbn	978-88-6969-323-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cinema and national image
dc.subject	Cinema and national image
dc.subject	Commercial nationalism
dc.subject	Commercial nationalism
dc.subject	Cultural stereotypes
dc.subject	Cultural stereotypes
dc.subject	Imagology
dc.subject	Imagology
dc.subject	Nation branding
dc.subject	Nation branding

Capitolo
open access peer reviewed

La imagen de España en el cine catalán posterior a 2012

Alfredo Martínez-Expósito University of Melbourne, Australia

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abstract

An essential component in the study of peripheries, the epistemic construction of the notions of center and centrality can be approached from many different perspectives. This paper focuses on the intersection of two of them: the imagological paradigm and the theory of nation branding. In the intersectional space between them, concepts such as cultural stereotyping, soft power and commercial nationalism are mobilised in ways that differ when a peripherical mindset is favoured. These theoretical tools open up a reflection on the processes of resemantisation that the image of Spain undergoes in contemporary Catalan cinema, as exemplified in the later works by director Ventura Pons. A commentary of Miss Dalí (2018), in the broader context of Pons’ production and of recent Catalan cinema, leads to provisional conclusions about strategies such as erasure, rarefication, negativisation and othering.

Pubblicato

02 Agosto 2019

Accettato

28 Novembre 2018

Presentato

03 Ottobre 2018

Lingua

ISBN (PRINT)

978-88-6969-324-3

ISBN (EBOOK)

978-88-6969-323-6

Keywords: Cinema and national image • Cultural stereotypes • Imagology • Nation branding • Commercial nationalism

permalink: http://doi.org/10.30687/978-88-6969-323-6/013

Copyright: © 2019 Alfredo Martínez-Expósito. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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