Journal | Rassegna iberistica
Journal issue | 41 | 110 | 2018
Research Article | To Read Looking. Elements for Understanding and Analysis of Latin American Electronic Literature
Abstract
The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region.
Submitted: April 16, 2018 | Accepted: June 17, 2018 | Published Dec. 11, 2018 | Language: es
Keywords Visual poetry • E-literature • Technopoetics • Latin America
Copyright © 2018 Verónica Gómez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/004
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_1579 |
dc.title |
To Read Looking. Elements for Understanding and Analysis of Latin American Electronic Literature |
dc.contributor.author |
Gómez Verónica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2018/110/leer-mirando-elementos-para-la-comprension-y-el-an/ |
dc.description.abstract |
The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 41 | Issue 110 | December 2018 |
dc.issued |
2018-12-11 |
dc.dateAccepted |
2018-06-17 |
dc.dateSubmitted |
2018-04-16 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Ri/2037-6588/2018/110/004 |
dc.peer-review |
yes |
dc.subject |
E-literature |
dc.subject |
E-literature |
dc.subject |
Latin America |
dc.subject |
Latin America |
dc.subject |
Technopoetics |
dc.subject |
Technopoetics |
dc.subject |
Visual poetry |
dc.subject |
Visual poetry |
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