To Read Looking. Elements for Understanding and Analysis of Latin…

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DC Field	Value
dc.identifier	ECF_article_1579
dc.title	To Read Looking. Elements for Understanding and Analysis of Latin American Electronic Literature
dc.contributor.author	Gómez Verónica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2018/110/leer-mirando-elementos-para-la-comprension-y-el-an/
dc.description.abstract	The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 41 \| Issue 110 \| December 2018
dc.issued	2018-12-11
dc.dateAccepted	2018-06-17
dc.dateSubmitted	2018-04-16
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2018/110/004
dc.peer-review	yes
dc.subject	E-literature
dc.subject	E-literature
dc.subject	Latin America
dc.subject	Latin America
dc.subject	Technopoetics
dc.subject	Technopoetics
dc.subject	Visual poetry
dc.subject	Visual poetry

Research Article
open access peer reviewed

To Read Looking. Elements for Understanding and Analysis of Latin American Electronic Literature

Verónica Gómez Universidad Nacional del Litoral; Instituto de Humanidades y Ciencias Sociales-CONICET, Argentina

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abstract

The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region.

Published

Dec. 11, 2018

Accepted

June 17, 2018

Submitted

April 16, 2018

Language

Keywords: Visual poetry • Technopoetics • Latin America • E-literature

permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/004

Copyright: © 2018 Verónica Gómez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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