Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Celebration of unity • Project Method – Dynamics • Islamic architectural ornament • Pre-Columbian collections • Stucco • Modernism • Film studies • Russian art • Speculative cinema • Dogma • Unity of West and East • Artie Vierkant • Soviet painting • Perception • Islimi • Post-media condition • Tangible forms • Nostalgia • Non finito • History of collections • Bouchot • Easel painting • Interpretation • Contemporary Soviet Art • YouTube • Roger Fry • ‘Peace’ • Medieval mosaic floor • Apocalypse • Nineteenth-century France • Prophecy • Post-soviet society • National style • Gunch • Italian Studies • Peltae pattern • Timur Novikov • Quattrocento • Kazan railway station • Academicism • Edwardian gift book • Richard Wollheim • Statics • Post-soviet art • Pre-Columbian art • Christianism • Marble slab • Artistic reception • Art Nouveau • Old masters • Nineteenth-century editions • ‘Motherland’ • VKHUTEMAS • Post-Impressionism • Allegory for peace • Influence • Shape of water • Livre d’artiste • Videographic criticism • Expressionism • Soviet painter • Non-European art exhibitions • Italian painting • Art ontology • Print • Postcolonial studies • Girikh • Nicholas Roerich • Venturi • Museum of Painterly Culture • Eugene Lanceray • Parody • Berlin Dada • Woodcut • Monumental painting • Type-token distinction • Art history and ethnography • Central Asian architectural décor • Art ‘before Raphael’ • Easel Painters’ Society • Miniature • Symbols • Abstraction • 15th century • Allegory of Russia • Religion • Soviet architectural décor • Reception • Formula similarity • Weimar art • Book illustration • Proto-Renaissance • Canon • Дмитрий Жилинский • Joseph Margolis • Systems • New Objectivity • Dmitry Zhilinsky • Visual perception • Compositional axes