Taking and Denying

« volume precedente | volume successivo »

Campo DC	Valore
dc.identifier	ECF_book_476
dc.creator	Argan Giovanni
dc.creator	Redaelli Maria
dc.creator	Timonina Alexandra
dc.title	Taking and Denying. Challenging Canons in Arts and Philosophy
dc.type	Miscellanea
dc.language.iso	ru, it, en
dc.description.abstract	Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).
dc.relation.ispartof	Quaderni di Venezia Arti
dc.identifier.doi	10.30687/978-88-6969-462-2
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-463-9/
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	15th century
dc.subject	15th century
dc.subject	15th century
dc.subject	Abstraction
dc.subject	Abstraction
dc.subject	Abstraction
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Allegory for peace
dc.subject	Allegory for peace
dc.subject	Allegory for peace
dc.subject	Allegory of Russia
dc.subject	Allegory of Russia
dc.subject	Allegory of Russia
dc.subject	Apocalypse
dc.subject	Apocalypse
dc.subject	Apocalypse
dc.subject	Art Nouveau
dc.subject	Art Nouveau
dc.subject	Art Nouveau
dc.subject	Art history and ethnography
dc.subject	Art history and ethnography
dc.subject	Art history and ethnography
dc.subject	Art ontology
dc.subject	Art ontology
dc.subject	Art ontology
dc.subject	Art ‘before Raphael’
dc.subject	Art ‘before Raphael’
dc.subject	Art ‘before Raphael’
dc.subject	Artie Vierkant
dc.subject	Artie Vierkant
dc.subject	Artie Vierkant
dc.subject	Artistic reception
dc.subject	Artistic reception
dc.subject	Artistic reception
dc.subject	Berlin Dada
dc.subject	Berlin Dada
dc.subject	Berlin Dada
dc.subject	Book illustration
dc.subject	Book illustration
dc.subject	Book illustration
dc.subject	Bouchot
dc.subject	Bouchot
dc.subject	Bouchot
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Celebration of unity
dc.subject	Celebration of unity
dc.subject	Celebration of unity
dc.subject	Central Asian architectural décor
dc.subject	Central Asian architectural décor
dc.subject	Central Asian architectural décor
dc.subject	Christianism
dc.subject	Christianism
dc.subject	Christianism
dc.subject	Compositional axes
dc.subject	Compositional axes
dc.subject	Compositional axes
dc.subject	Contemporary Soviet Art
dc.subject	Contemporary Soviet Art
dc.subject	Contemporary Soviet Art
dc.subject	Dmitry Zhilinsky
dc.subject	Dmitry Zhilinsky
dc.subject	Dmitry Zhilinsky
dc.subject	Dogma
dc.subject	Dogma
dc.subject	Dogma
dc.subject	Easel Painters’ Society
dc.subject	Easel Painters’ Society
dc.subject	Easel Painters’ Society
dc.subject	Easel painting
dc.subject	Easel painting
dc.subject	Easel painting
dc.subject	Edwardian gift book
dc.subject	Edwardian gift book
dc.subject	Edwardian gift book
dc.subject	Eugene Lanceray
dc.subject	Eugene Lanceray
dc.subject	Eugene Lanceray
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Film studies
dc.subject	Film studies
dc.subject	Film studies
dc.subject	Formula similarity
dc.subject	Formula similarity
dc.subject	Formula similarity
dc.subject	Girikh
dc.subject	Girikh
dc.subject	Girikh
dc.subject	Gunch
dc.subject	Gunch
dc.subject	Gunch
dc.subject	History of collections
dc.subject	History of collections
dc.subject	History of collections
dc.subject	Influence
dc.subject	Influence
dc.subject	Influence
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Islamic architectural ornament
dc.subject	Islamic architectural ornament
dc.subject	Islamic architectural ornament
dc.subject	Islimi
dc.subject	Islimi
dc.subject	Islimi
dc.subject	Italian Studies
dc.subject	Italian Studies
dc.subject	Italian Studies
dc.subject	Italian painting
dc.subject	Italian painting
dc.subject	Italian painting
dc.subject	Joseph Margolis
dc.subject	Joseph Margolis
dc.subject	Joseph Margolis
dc.subject	Kazan railway station
dc.subject	Kazan railway station
dc.subject	Kazan railway station
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Marble slab
dc.subject	Marble slab
dc.subject	Marble slab
dc.subject	Medieval mosaic floor
dc.subject	Medieval mosaic floor
dc.subject	Medieval mosaic floor
dc.subject	Miniature
dc.subject	Miniature
dc.subject	Miniature
dc.subject	Modernism
dc.subject	Modernism
dc.subject	Modernism
dc.subject	Monumental painting
dc.subject	Monumental painting
dc.subject	Monumental painting
dc.subject	Museum of Painterly Culture
dc.subject	Museum of Painterly Culture
dc.subject	Museum of Painterly Culture
dc.subject	National style
dc.subject	National style
dc.subject	National style
dc.subject	New Objectivity
dc.subject	New Objectivity
dc.subject	New Objectivity
dc.subject	Nicholas Roerich
dc.subject	Nicholas Roerich
dc.subject	Nicholas Roerich
dc.subject	Nineteenth-century France
dc.subject	Nineteenth-century France
dc.subject	Nineteenth-century France
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century editions
dc.subject	Non finito
dc.subject	Non finito
dc.subject	Non finito
dc.subject	Non-European art exhibitions
dc.subject	Non-European art exhibitions
dc.subject	Non-European art exhibitions
dc.subject	Nostalgia
dc.subject	Nostalgia
dc.subject	Nostalgia
dc.subject	Old masters
dc.subject	Old masters
dc.subject	Old masters
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Peltae pattern
dc.subject	Peltae pattern
dc.subject	Peltae pattern
dc.subject	Perception
dc.subject	Perception
dc.subject	Perception
dc.subject	Post-Impressionism
dc.subject	Post-Impressionism
dc.subject	Post-Impressionism
dc.subject	Post-media condition
dc.subject	Post-media condition
dc.subject	Post-media condition
dc.subject	Post-soviet art
dc.subject	Post-soviet art
dc.subject	Post-soviet art
dc.subject	Post-soviet society
dc.subject	Post-soviet society
dc.subject	Post-soviet society
dc.subject	Postcolonial studies
dc.subject	Postcolonial studies
dc.subject	Postcolonial studies
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian collections
dc.subject	Pre-Columbian collections
dc.subject	Pre-Columbian collections
dc.subject	Print
dc.subject	Print
dc.subject	Print
dc.subject	Project Method – Dynamics
dc.subject	Project Method – Dynamics
dc.subject	Project Method – Dynamics
dc.subject	Prophecy
dc.subject	Prophecy
dc.subject	Prophecy
dc.subject	Proto-Renaissance
dc.subject	Proto-Renaissance
dc.subject	Proto-Renaissance
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Reception
dc.subject	Reception
dc.subject	Reception
dc.subject	Religion
dc.subject	Religion
dc.subject	Religion
dc.subject	Richard Wollheim
dc.subject	Richard Wollheim
dc.subject	Richard Wollheim
dc.subject	Roger Fry
dc.subject	Roger Fry
dc.subject	Roger Fry
dc.subject	Russian art
dc.subject	Russian art
dc.subject	Russian art
dc.subject	Shape of water
dc.subject	Shape of water
dc.subject	Shape of water
dc.subject	Soviet architectural décor
dc.subject	Soviet architectural décor
dc.subject	Soviet architectural décor
dc.subject	Soviet painter
dc.subject	Soviet painter
dc.subject	Soviet painter
dc.subject	Soviet painting
dc.subject	Soviet painting
dc.subject	Soviet painting
dc.subject	Speculative cinema
dc.subject	Speculative cinema
dc.subject	Speculative cinema
dc.subject	Statics
dc.subject	Statics
dc.subject	Statics
dc.subject	Stucco
dc.subject	Stucco
dc.subject	Stucco
dc.subject	Symbols
dc.subject	Symbols
dc.subject	Symbols
dc.subject	Systems
dc.subject	Systems
dc.subject	Systems
dc.subject	Tangible forms
dc.subject	Tangible forms
dc.subject	Tangible forms
dc.subject	Timur Novikov
dc.subject	Timur Novikov
dc.subject	Timur Novikov
dc.subject	Type-token distinction
dc.subject	Type-token distinction
dc.subject	Type-token distinction
dc.subject	Unity of West and East
dc.subject	Unity of West and East
dc.subject	Unity of West and East
dc.subject	VKHUTEMAS
dc.subject	VKHUTEMAS
dc.subject	VKHUTEMAS
dc.subject	Venturi
dc.subject	Venturi
dc.subject	Venturi
dc.subject	Videographic criticism
dc.subject	Videographic criticism
dc.subject	Videographic criticism
dc.subject	Visual perception
dc.subject	Visual perception
dc.subject	Visual perception
dc.subject	Weimar art
dc.subject	Weimar art
dc.subject	Weimar art
dc.subject	Woodcut
dc.subject	Woodcut
dc.subject	Woodcut
dc.subject	YouTube
dc.subject	YouTube
dc.subject	YouTube
dc.subject	Дмитрий Жилинский
dc.subject	Дмитрий Жилинский
dc.subject	Дмитрий Жилинский
dc.subject	‘Motherland’
dc.subject	‘Motherland’
dc.subject	‘Motherland’
dc.subject	‘Peace’
dc.subject	‘Peace’
dc.subject	‘Peace’

Miscellanea
open access

Taking and Denying

Challenging Canons in Arts and Philosophy

a cura di

Giovanni Argan Università Ca’ Foscari Venezia, Italia

Maria Redaelli Università Ca’ Foscari Venezia, Italia

Alexandra Timonina Università Ca’ Foscari Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Pubblicato

22 Dicembre 2020

Lingua

RU, IT, EN

ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords

Nineteenth-century France • Christianism • Quattrocento • Stucco • New Objectivity • Weimar art • Eugene Lanceray • Pre-Columbian collections • Bouchot • Easel painting • Tangible forms • Old masters • Art ‘before Raphael’ • Edwardian gift book • YouTube • Soviet painting • Postcolonial studies • Joseph Margolis • Post-soviet society • Speculative cinema • Systems • Reception • Italian Studies • Non finito • Prophecy • Apocalypse • Expressionism • Post-Impressionism • Interpretation • Berlin Dada • Artistic reception • Nineteenth-century editions • Symbols • Soviet painter • Miniature • Monumental painting • Compositional axes • Post-media condition • Soviet architectural décor • Perception • Дмитрий Жилинский • Parody • Girikh • Kazan railway station • Timur Novikov • Academicism • ‘Motherland’ • Unity of West and East • Influence • Livre d’artiste • Marble slab • Art Nouveau • Peltae pattern • Allegory of Russia • ‘Peace’ • Videographic criticism • Post-soviet art • Medieval mosaic floor • Print • Shape of water • Dogma • 15th century • Islamic architectural ornament • National style • VKHUTEMAS • Proto-Renaissance • Non-European art exhibitions • Celebration of unity • Italian painting • Dmitry Zhilinsky • Statics • Abstraction • Art history and ethnography • Visual perception • Film studies • Project Method – Dynamics • Museum of Painterly Culture • Roger Fry • Modernism • Canon • Woodcut • Formula similarity • Central Asian architectural décor • Russian art • Artie Vierkant • Contemporary Soviet Art • Allegory for peace • Easel Painters’ Society • Nostalgia • Art ontology • History of collections • Venturi • Islimi • Nicholas Roerich • Gunch • Book illustration • Religion • Richard Wollheim • Type-token distinction • Pre-Columbian art

permalink http://doi.org/10.30687/978-88-6969-462-2

Copyright: © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.