De los nombres de Calderón

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DC Field	Value
dc.identifier	ECF_chapter_967
dc.contributor.author	Hernández González Laura
dc.title	De los nombres de Calderón. Reflexiones acerca de la antroponimia calderoniana
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Most of Calderón de la Barca’s plays show how this author assumed classical dramatic techniques and adapted them to his theatrical conception. This article focuses on one of these classical procedures: his usage of motivated anthroponyms, those which both call and describe a character. We will consider this dramatic technique in the context of Spanish Baroque, in which the Naturalist theory in Linguistics was widely accepted, and its utility for a dramatist who needed economic theatrical procedures. At the end of this article I will propose a taxonomy to classify motivated names in Calderonian plays in order to consider their importance in Calderón’s theater.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-05-24
dc.dateSubmitted	2015-07-14
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/de-los-nombres-de-calderon/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-49
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Anthroponomy
dc.subject	Anthroponomy
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Theatre
dc.subject	Theatre

Chapter
open access peer reviewed

De los nombres de Calderón

Reflexiones acerca de la antroponimia calderoniana

Laura Hernández González Universidad de Valladolid, España

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abstract

Most of Calderón de la Barca’s plays show how this author assumed classical dramatic techniques and adapted them to his theatrical conception. This article focuses on one of these classical procedures: his usage of motivated anthroponyms, those which both call and describe a character. We will consider this dramatic technique in the context of Spanish Baroque, in which the Naturalist theory in Linguistics was widely accepted, and its utility for a dramatist who needed economic theatrical procedures. At the end of this article I will propose a taxonomy to classify motivated names in Calderonian plays in order to consider their importance in Calderón’s theater.

Accepted

May 24, 2016

Submitted

July 14, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Theatre • Anthroponomy • Spanish Golden Age • Calderón

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-49

Copyright: © 2017 Laura Hernández González. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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