Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Venitian printing • Intertextuality • Journey • Giacomo Franco • Empire • Book of Job • Novelle • Experience • XVII century • Literary criticism • El maestro de danzar • Gypsies • Homeric simile • Love poetry • Lope sources • Vázquez Siruela • Granada • Affect • Rosete Niño • Enríquez de Cabrera • Roberto el diablo • Jorge de Montemayor • Rimas • Bernardo de Sandoval y Rojas • Timanthes • resemantization • José de la Concha • Festive relation • Council of Castile • Court • King Sebastian • Diccionario de Autoridades • Conquest of Peru • Pedro Sarmiento de Gamboa • Witticism • Coherence • Trees • Sonnets • Córdoba • Graphical changes • Literary Forgery • Italian Renaissance • Female reader • Álvar Núñez Cabeza de Vaca • Proverbs • Controversy • Rojas Zorrilla • Open access • Donkey • Figurón comedy • Gongorism • La noche de San Juan • Sermon • Tradition • Italophile • interludes • Baroque poetry • Lady of Copacabana • Mythification • Poetry • Low Baroque • Pynchon • Espada sagrada • Miguel de Cervantes • Nicolini da Sabbio • Illustrated edition • Suspension • Censors • Early Music • Love • Queen Isabel de Borbón • Mysticism • Justice • Perfecto predicador • Caballero de Illescas • Interpretation • Labyrinth • CABIGO • Francisco de Leefdael • Republic of Letters • Cándido María Trigueros • Portugal • Baroque • Anthroponomy • Satyre • Order of the Golden Fleece • Chivalric romance • The Book of Judges • Guzmán de Alfarache • Phonetics • Post-Tridentine Spain • Promujer • French Classical Theatre • Poggio Bracciolini • Nuns • Dedications • Sociology • Financial crisis • 17th century Theatre • History of book • Truth • El piadoso veneciano • La Maya • Bandello • Seventeenth century • Diálogo de la lengua • Quixote • José de Arroyo • Spanish theatre • Theater • Tametsi decree • Paremiology • Satire • Notes in scholarly editions • Reception theory • Picaresque novel • Carlo Gozzi • Jiménez Patón • Spanish literature of the Golden Age • Philosophical method • Sermons • Adaptation Studies • Quiñones de Benavente • Uruguay • Francisco de La Torre • Stylistic development • 17th century • Spanish Poetry • Analysis • El dómine Lucas • Tesoro de la Lengua Castellana • Tridentin work • Exemplary Novels • Christian preacher • Siglo de Oro • Decorum • Antonio Sacchi • Textual bibliography • Parody • Spanish Novel • Press • Calderón de a Barca • Rewriting • Spanish Golden Age theatre • Castillejo • Antonio de Zamora • Disgust • Mercadante • Epic poetry • Symbolism • Religious Poetry • Preacher • Castillo Solórzano • Repentance • Short farce • Alonso de Castillo Solórzano • Lope de Vega • History of typography • Modernity • Authorship • Notes • Painting • Corruption • Gemstones • Spain • Fernando de Herrera • Barahona de Soto • Kundera • Correction to editio princeps • Dramatic formula • Enchantment of Dulcinea • Public-Private relation • Melchor Díaz de Toledo • Anagilda • Juan de Valdés • Playing cards • Libretto • Aminta • Anti-aulic satire • Fraud • Epic and Drama • Dedicatees • Mystical symbols • Jerónimo Corte-Real • Spanish Golden Age Theatre • Asceticism • Grotesque body • Golden Age minor theater • Critical edition • Baroque theater • Romances of chivalry • Nadie fíe su secreto • Góngora • History of Spanis language • Spanish Golden Age • Tree • Spanish Court Poetry • Images • La Zucca del Doni en spañol • Cohesion • Literature • Luís de Camões • Language • Women writers • Jáuregui • Twentieth century • Díaz de Rivas • Cáncer • Cut flower • Golden Age Poetry • Italian humanist short prose • Comedias de pícaros • José Saramago • Spanish Golden Age entremeses • Juan Bautista Pederzano • Iberism • Novel • 17th Century • Fine taste • Walter Raleigh • Hernando de Acuña • Seville • Bible • Barbers • Moreto • Autobiography • Italian translation • Eroticism • Novelas ejemplares • Translation Studies • El bautismo del príncipe de Marruecos • Miguel Torga • Sacrament of penance • Stage • Translation constraints • Edition • Decameron • Letters • Empresas políticas • Prior censorship • Segmentation • Shame • Spiritual poetry • Octosyllabic verse • Jewels • Fear • La Gerusalemme liberata • Girolamo Gigli • Insane asylums • Priest • Comedy • Hagiographic drama • Imago • Topos • Morisco figures • Comedia nueva • Alonso Remón • Komenský • Venice • Metaphors • Bibliography • Butterfly • Unstable • Robbery • Madmen • Metaphor • Helmet of Mambrino • Literary styles • Comedy of magic • Translation • Music • Philology • Booklets • Critical editions of literary Works • Matos Fragoso • Copper coin • Explicitation • Dramatic space • Cervantes • Lovers • Literary authors • Don Quixote • String literature • Farsalia • Metre • Attributed authorship • Politics • Theatre Translation • Mendeley • Spanish Golden Age, History of Linguistics • Traitors • Ideology • Versification • Ambiguity • Literary sources • Margaret Theresa of Spain • Olivieri di Castiglia • New Spain • Calderón • Saavedra Fajardo • Italian • Countess of Harrach • Santa Teresa • Poetics • Luigi Groto • Dynamism • Translator • Honour • Oliveros de Castilla • Popular culture • Metrics • Quotations • Seven love letters • Literary censorship • Affinities • Philip IV • Italy • Dalila • Poetry about music • Variety • Eulogy • Juan de Mariana • Luis Gálvez de Montalvo • Adventure books • Anacreontics • Atonement • Catalogue • Theatre • Slang • Golden Age • Quijote • Collaboration • Carlo Goldoni • Refranes • Sociability • Expression • Francesco Portonari • Ineffable language • Rhetoric • Renaissance books • Sonnet • Orthographiy • Authors • Francisco de Quevedo • Marginalization • Travel narratives • Auto • Baroque comedy • Facetia • Las dos doncellas • Quevedo • Renascence • Tragic play • Cristóbal de Morales • Portuguese poetry • Descartes • Lope • Hernán Núñez • Fernández de Lizardi • Publisher • Orthography • Cea Tesa • Madrid • Translators • Preaching • Style • San Juan de la Cruz

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

edizione a stampa shopping_cart
48.00 €

For libraries and bookstores local_library

Table of contents