Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Antonio de Zamora • La Gerusalemme liberata • Philology • Fear • Baroque theater • Countess of Harrach • Carlo Gozzi • Italy • Metre • Adventure books • Grotesque body • Novelas ejemplares • Dalila • El piadoso veneciano • Italian translation • Lady of Copacabana • Topos • Morisco figures • Spanish Novel • Golden Age • Theatre • Luigi Groto • Seven love letters • Descartes • Atonement • Juan Bautista Pederzano • Paremiology • Critical editions of literary Works • Nuns • Epic poetry • Tametsi decree • Repentance • Mercadante • Homeric simile • Language • Spiritual poetry • Censors • Love • Autobiography • Miguel Torga • History of typography • 17th Century • Santa Teresa • Popular culture • Comedia nueva • Stage • Baroque comedy • Helmet of Mambrino • Madrid • Calderón • Metaphor • Poetry • Publisher • Rimas • Golden Age Poetry • Empresas políticas • Exemplary Novels • Renaissance books • Italophile • Variety • Segmentation • Mythification • Barahona de Soto • Eulogy • Perfecto predicador • Spanish Golden Age entremeses • La Zucca del Doni en spañol • Golden Age minor theater • Jorge de Montemayor • Pedro Sarmiento de Gamboa • Sonnets • Sonnet • Cristóbal de Morales • Adaptation Studies • Baroque poetry • Painting • Enchantment of Dulcinea • Sociology • Images • Copper coin • Insane asylums • Translator • Melchor Díaz de Toledo • Honour • Quiñones de Benavente • Public-Private relation • Luis Gálvez de Montalvo • Castillo Solórzano • Ineffable language • Tradition • Short farce • Guzmán de Alfarache • Stylistic development • Dramatic space • Fernández de Lizardi • Cohesion • Booklets • Fraud • Explicitation • Imago • Gypsies • Decameron • Poetics • Spanish Golden Age Theatre • Libretto • Theater • Disgust • Siglo de Oro • Portuguese poetry • Caballero de Illescas • Carlo Goldoni • Córdoba • Lope sources • Collaboration • Literary sources • Literary styles • Religious Poetry • Rojas Zorrilla • Decorum • Affect • Attributed authorship • Notes • Open access • Order of the Golden Fleece • Comedy of magic • Jáuregui • Moreto • Notes in scholarly editions • Facetia • Conquest of Peru • El bautismo del príncipe de Marruecos • Novelle • Bernardo de Sandoval y Rojas • Literary criticism • Chivalric romance • Granada • Jiménez Patón • Authors • Orthography • José Saramago • Quijote • Gongorism • Anacreontics • Jerónimo Corte-Real • Anagilda • Metaphors • Dramatic formula • Sacrament of penance • Shame • Translation Studies • Politics • Graphical changes • Lope de Vega • Satire • Translation constraints • Oliveros de Castilla • Press • Spanish Golden Age, History of Linguistics • Fernando de Herrera • Preaching • Republic of Letters • Sociability • Bandello • Castillejo • Slang • Mysticism • Poggio Bracciolini • Roberto el diablo • Symbolism • Lovers • Queen Isabel de Borbón • Saavedra Fajardo • Italian • Anti-aulic satire • Novel • Tree • Illustrated edition • Post-Tridentine Spain • Corruption • Asceticism • Vázquez Siruela • Experience • Seventeenth century • Sermon • Reception theory • Juan de Mariana • Comedias de pícaros • Italian Renaissance • String literature • Festive relation • New Spain • Translation • Octosyllabic verse • Diálogo de la lengua • Renascence • Góngora • Interpretation • Auto • Spain • Analysis • Don Quixote • La noche de San Juan • Nicolini da Sabbio • Coherence • José de Arroyo • Alonso de Castillo Solórzano • Comedy • Justice • Spanish theatre • Tridentin work • Marginalization • Álvar Núñez Cabeza de Vaca • Lope • Matos Fragoso • Parody • Edition • Diccionario de Autoridades • Cándido María Trigueros • Miguel de Cervantes • Female reader • Suspension • History of Spanis language • Margaret Theresa of Spain • French Classical Theatre • History of book • Promujer • Affinities • Rewriting • Early Music • Dedicatees • Trees • Bibliography • Literature • Prior censorship • Catalogue • Court • Rosete Niño • Francesco Portonari • Komenský • interludes • Philip IV • Dedications • El maestro de danzar • Tesoro de la Lengua Castellana • Uruguay • Giacomo Franco • resemantization • 17th century • Metrics • Walter Raleigh • Calderón de a Barca • Playing cards • Dynamism • Gemstones • Truth • Expression • Christian preacher • CABIGO • Luís de Camões • Modernity • Iberism • Spanish Poetry • Versification • Refranes • Spanish literature of the Golden Age • Alonso Remón • Farsalia • Seville • Cervantes • Travel narratives • Venice • Donkey • Letters • Mendeley • Preacher • Controversy • Hagiographic drama • Ideology • Sermons • Witticism • Pynchon • Theatre Translation • Barbers • José de la Concha • Correction to editio princeps • Quevedo • Las dos doncellas • Espada sagrada • Orthographiy • Baroque • Literary Forgery • Rhetoric • Fine taste • Spanish Golden Age theatre • San Juan de la Cruz • Ambiguity • Mystical symbols • Book of Job • Literary censorship • King Sebastian • Girolamo Gigli • Aminta • Music • Francisco de La Torre • Quixote • Cea Tesa • Hernán Núñez • Love poetry • Priest • Textual bibliography • Translators • Tragic play • Romances of chivalry • Antonio Sacchi • Nadie fíe su secreto • Butterfly • El dómine Lucas • Labyrinth • Empire • Venitian printing • Robbery • La Maya • Picaresque novel • Intertextuality • Women writers • Style • Twentieth century • 17th century Theatre • Journey • Spanish Golden Age • Madmen • Eroticism • Phonetics • Portugal • Financial crisis • Spanish Court Poetry • Literary authors • Francisco de Leefdael • Timanthes • Italian humanist short prose • Traitors • Critical edition • XVII century • Council of Castile • Francisco de Quevedo • Authorship • Cáncer • Anthroponomy • Unstable • Olivieri di Castiglia • Kundera • Quotations • Epic and Drama • The Book of Judges • Poetry about music • Cut flower • Enríquez de Cabrera • Hernando de Acuña • Bible • Jewels • Low Baroque • Proverbs • Díaz de Rivas • Figurón comedy • Juan de Valdés • Satyre • Philosophical method

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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