Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Dynamism • La noche de San Juan • Italian humanist short prose • Uruguay • CABIGO • Baroque • El piadoso veneciano • Gypsies • Prior censorship • Figurón comedy • Renaissance books • Metre • Explicitation • Authors • Slang • Empire • Francisco de La Torre • Literature • Love • Witticism • Experience • Picaresque novel • Donkey • New Spain • Correction to editio princeps • Seven love letters • Journey • Venitian printing • Italian • Enchantment of Dulcinea • Jáuregui • Pynchon • Epic poetry • Dedications • Rosete Niño • Granada • Sacrament of penance • La Maya • Symbolism • Girolamo Gigli • Affinities • Ideology • Atonement • Copper coin • Spanish Golden Age theatre • Coherence • Unstable • Dramatic space • Tree • Luigi Groto • Nicolini da Sabbio • Siglo de Oro • Baroque theater • San Juan de la Cruz • Music • Golden Age minor theater • Diccionario de Autoridades • Timanthes • Orthography • Sonnets • Comedia nueva • Farsalia • Santa Teresa • Quijote • Quotations • History of Spanis language • Book of Job • Don Quixote • Diálogo de la lengua • Libretto • Suspension • Notes in scholarly editions • Dalila • Theater • Edition • Exemplary Novels • Tridentin work • Kundera • Roberto el diablo • Truth • Playing cards • Women writers • Eroticism • Adventure books • Cáncer • Painting • Philip IV • Francisco de Quevedo • Auto • Romances of chivalry • Spain • Hagiographic drama • Expression • Female reader • Empresas políticas • Miguel Torga • Ambiguity • Córdoba • Authorship • Venice • Translation constraints • Anti-aulic satire • Moreto • Poggio Bracciolini • Morisco figures • Love poetry • La Gerusalemme liberata • Tragic play • Seville • Adaptation Studies • Parody • Catalogue • Bandello • Spanish Golden Age Theatre • Italian translation • Komenský • Conquest of Peru • Gongorism • Metaphor • Court • Sermons • Fine taste • Countess of Harrach • Enríquez de Cabrera • Early Music • Hernando de Acuña • Juan de Mariana • Spanish Golden Age • Iberism • Satyre • Proverbs • Refranes • Twentieth century • Intertextuality • Madrid • Literary censorship • Sermon • Epic and Drama • Popular culture • Notes • Facetia • interludes • Politics • Stylistic development • Versification • Novel • Corruption • Lope de Vega • Decameron • Rewriting • Tametsi decree • Spanish Golden Age entremeses • Asceticism • Vázquez Siruela • Comedy • Translation Studies • Promujer • Caballero de Illescas • Marginalization • Variety • Style • Golden Age • Phonetics • Trees • Juan de Valdés • Giacomo Franco • Italian Renaissance • Press • Translator • Comedy of magic • Language • Saavedra Fajardo • Modernity • Jiménez Patón • Cohesion • Spanish literature of the Golden Age • Castillejo • Luis Gálvez de Montalvo • Critical editions of literary Works • Orthographiy • Anthroponomy • Insane asylums • Mendeley • Religious Poetry • Censors • Descartes • Olivieri di Castiglia • Bernardo de Sandoval y Rojas • Decorum • Tesoro de la Lengua Castellana • Cut flower • José de la Concha • Segmentation • Aminta • Cervantes • Quevedo • Preaching • Golden Age Poetry • Literary Forgery • Dramatic formula • Spanish Court Poetry • Literary sources • Attributed authorship • Novelas ejemplares • Lady of Copacabana • Rimas • Preacher • Seventeenth century • Translators • Miguel de Cervantes • Antonio Sacchi • Disgust • Publisher • El dómine Lucas • Graphical changes • King Sebastian • Antonio de Zamora • Theatre Translation • 17th Century • Topos • Díaz de Rivas • Francesco Portonari • Perfecto predicador • Analysis • Spanish Poetry • Calderón de a Barca • Mercadante • El maestro de danzar • Octosyllabic verse • Novelle • Bibliography • Jerónimo Corte-Real • Tradition • Open access • Renascence • Poetics • Eulogy • Barbers • Melchor Díaz de Toledo • Góngora • Fernández de Lizardi • Lope sources • History of typography • Repentance • Sonnet • Spanish theatre • Alonso de Castillo Solórzano • Francisco de Leefdael • Cándido María Trigueros • Textual bibliography • String literature • Grotesque body • Carlo Gozzi • Fernando de Herrera • Jorge de Montemayor • José Saramago • El bautismo del príncipe de Marruecos • Translation • Castillo Solórzano • Interpretation • Las dos doncellas • Chivalric romance • 17th century • Luís de Camões • Guzmán de Alfarache • Order of the Golden Fleece • Bible • Philology • Labyrinth • Affect • Imago • Spanish Novel • Italophile • History of book • Fear • Alonso Remón • José de Arroyo • Dedicatees • Sociology • La Zucca del Doni en spañol • Financial crisis • The Book of Judges • Queen Isabel de Borbón • Nuns • Critical edition • Spanish Golden Age, History of Linguistics • Collaboration • Gemstones • Literary criticism • Mythification • Controversy • Literary authors • Mysticism • Rhetoric • Stage • French Classical Theatre • Sociability • Images • 17th century Theatre • Honour • Traitors • Christian preacher • Barahona de Soto • Butterfly • Helmet of Mambrino • Anagilda • Juan Bautista Pederzano • Oliveros de Castilla • Lovers • Council of Castile • Margaret Theresa of Spain • Theatre • Cea Tesa • Post-Tridentine Spain • Fraud • Short farce • Jewels • Mystical symbols • Philosophical method • Espada sagrada • Baroque comedy • Álvar Núñez Cabeza de Vaca • Hernán Núñez • Italy • Paremiology • Autobiography • Portugal • Low Baroque • Reception theory • Ineffable language • Public-Private relation • Metrics • Priest • Metaphors • Robbery • Cristóbal de Morales • Shame • Nadie fíe su secreto • Rojas Zorrilla • Booklets • Madmen • Poetry • Baroque poetry • Matos Fragoso • Festive relation • Quiñones de Benavente • Pedro Sarmiento de Gamboa • Letters • Walter Raleigh • Travel narratives • Poetry about music • Literary styles • Portuguese poetry • XVII century • Anacreontics • Republic of Letters • Satire • Spiritual poetry • Carlo Goldoni • Justice • Homeric simile • Comedias de pícaros • Quixote • Calderón • resemantization • Lope • Illustrated edition

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.