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Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium

a cura di

Gian Luigi Paltrinieri Università Ca’ Foscari Venezia, Italia

Francesco Camera Università degli Studi di Genova, Italia

Alessandro Cavazzana Università Ca’ Foscari Venezia, Italia

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Lingua: en

Pubblicato: 20 Dicembre 2022

Keywords

Translation • Relativism • Recognition • Plurality • Target language • Walter Benjamin • Hybridisation • Interpretation • Pragmatic objectivity • Type-token • Objectivity • Mediation • Aesthetics • Margolis • Pluralism • German Romanticism • Pragmatism • Compromise • Intentionality • Lexical Pragmatics • Hermeneutics • Luigi Pareyson • Historicism • Untranslatable • Beiträge • Philosophy • Gadamer • Philosophy of art • Heidegger • Kripke • Translation’s practice • Knowledge • Anfang • Messianism • Definite Descriptions • Ambiguity • Language • Implicatures • Paul Ricoeur • Hegel • Ontology of art • Joseph Margolis • Linguistic Hospitality • History of aesthetics • Definition of art • Truth • Cultural emergence • Translation’s theory • Difference • Time-Space • Source language • Explicatures • Dewey

permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02

Copyright: © 2022 Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.