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Fascicolo
open access peer reviewed

Vol. 11 | Luglio 2022

Rinascita/Revival | Rebirth/Revival II

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Lingua: es, it, en, pt, fr

Pubblicato: 24 Ottobre 2022

Keywords

Albert Küchler • Raphael • Giovanni Morelli • Architects • Lombard primitives • Seroux d’Agincourt • Musée d’art industriel • Natalis Rondot • Société d’encouragement des arts • History Painting • Greek vases • Dmitry Grigorovitch • Galleria De Cristoforis • Editors • Training of artists • Portugal • Florence • Arts décoratifs • Italian Risorgimento • Carlo Amoretti • Stefano Borgia • Civil function of the museum • Art market • Giovanni Gherardo De Rossi • Projects • Conventionalism • Antiquities market • Marco Minghetti • Royal Gallery of Turin • South Kensington Museum • Markets • Danish Golden Age • Pedro de Sousa Holstein • Romanticism • Ditlev Blunck • Musée d’échantillons • Corrado Ricci • Engraving • Art industriel • Henrik Hertz • Iconography • Frederik Christian Sibbern • Collecting • Dutch Golden Age • Revival • Musée d’art et d’industrie • Art photography • Ceramics • Andalusia (Spain) • Provenances • Renaissance • Historical Romanticism • 19th century Milan • Stefano Bardini • Pompeo Pozzi • École Stroganov • Parisian Salons • Travel diaries • Historical Painting • Photography • Antiquarian history • Giorgione • History of architecture • Art publishing • Milano • Fortuna • Wilhelm Bendz • Alexandre de Sousa Holstein • Luigi Valeriano Pozzi • Academy of Fine Arts • Genio dell’Indipendenza Nazionale • Cesare dell’Acqua • Erudition • Antonio Canova • Connoisseurship • Adolfo Venturi • Genre painting • Merchants

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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