Rivista | magazén
Fascicolo monografico | 3 | 2 | 2022
Articolo | Point Cloud to Sound Cloud
Point Cloud to Sound Cloud
The Space, Place, Sound, and Memory: Immersive Experiences of the Past project was led by dr James Cook, in collaboration with the Digital Documentation and Innovation team at Historic Environment Scotland, Soluis Heritage, the Binchois Consort, and scholars at the universities of Birmingham and Melbourne. It used cutting-edge technology to reconstruct the visuals and acoustics of Linlithgow Palace chapel, before situating reconstructions of liturgical music within it. Beginning with HES’ 3D scan of the chapel, the project then used archival, archaeological, and musicological research to bring to life the sights and sounds of the 16th-century chapel. This chapter explores how Digital Documentation can be harnessed in the production of innovative interpretation and research material.
Presentato: 22 Luglio 2022 | Accettato: 18 Ottobre 2022 | Pubblicato: 16 Dicembre 2022 | Lingua: en
Keywords Audio Archaeological Music Chapel Virtual Acoustic Musicological 3d model Reconstruction Digital heritage 3D Laser scanning 16th century Digital documentation Technology Sound Linlithgow Palace Interpretation Virtual reality
Subtags 3d data Modelling Communication Image data Technology Monuments Visualisation Preservation Audio-visual data Works of Art
Copyright © 2022 James Cook, Sophia Mirashrafi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06/001
