Remedios Varo: exiliada de España, aquerenciada en México

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Campo DC	Valore
dc.identifier	ECF_chapter_7086
dc.contributor.author	Giraudo Victoria
dc.title	Remedios Varo: exiliada de España, aquerenciada en México
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	Remedios Varo was a visual artist related to the second wave of Surrealism, Postwar and Exile. She had a nomadic childhood, yet she attended the prestigious Real Academia de Bellas Artes de San Fernando, in Madrid, took part in the Logicofobista group in Barcelona and in Surrealism in Paris in the 1930s. In spite of this, she achieved her artistic maturity with an undoubtedly unique work in Mexico, where she arrived after fleeing Nazism along with poet Benjamin Péret in 1941. The experience of transterre transformed her personally and professionally. To prove this, her insertion in Mexico will be analysed, placing emphasis on affection as a process of self-consciousness and gradual metamorphosis towards feminist liberation.
dc.relation.ispartof	Diaspore
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-03-25
dc.dateSubmitted	2021-12-16
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-597-1/remedios-varo-exiliada-de-espana-aquerenciada-en-m/
dc.identifier.doi	10.30687/978-88-6969-596-4/008
dc.identifier.issn	2610-8860
dc.identifier.eissn	2610-9387
dc.identifier.isbn	978-88-6969-597-1
dc.identifier.eisbn	978-88-6969-596-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Feminism
dc.subject	Latin American art
dc.subject	Postwar
dc.subject	Spanish exile
dc.subject	Surrealism

Capitolo
open access

Remedios Varo: exiliada de España, aquerenciada en México

Victoria Giraudo Universidad de Buenos Aires, Argentina

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abstract

Remedios Varo was a visual artist related to the second wave of Surrealism, Postwar and Exile. She had a nomadic childhood, yet she attended the prestigious Real Academia de Bellas Artes de San Fernando, in Madrid, took part in the Logicofobista group in Barcelona and in Surrealism in Paris in the 1930s. In spite of this, she achieved her artistic maturity with an undoubtedly unique work in Mexico, where she arrived after fleeing Nazism along with poet Benjamin Péret in 1941. The experience of transterre transformed her personally and professionally. To prove this, her insertion in Mexico will be analysed, placing emphasis on affection as a process of self-consciousness and gradual metamorphosis towards feminist liberation.

Pubblicato

25 Marzo 2022

Presentato

16 Dicembre 2021

Lingua

ISBN (PRINT)

978-88-6969-597-1

ISBN (EBOOK)

978-88-6969-596-4

Keywords: Postwar • Feminism • Surrealism • Spanish exile • Latin American art

permalink: http://doi.org/10.30687/978-88-6969-596-4/008

Copyright: © 2022 Victoria Giraudo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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