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Campo DC	Valore
dc.identifier	ECF_chapter_5653
dc.contributor.author	Salazar Quintana Luis Carlos
dc.title	Motivos quijotescos y metaficción cervantina en el «Tríptico del carnaval» de Sergio Pitol
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	Specialised critics have dealt extensively with the influence that Mikhail Bakhtin had on Sergio Pitol through the concept of carnival. They have neglected, however, the aesthetic debt that the Mexican writer owes to Miguel de Cervantes. This kind of influence can be seen not only in the quixotic topics recreated in Pitol’s production but also in his metafictional conception. This article offers an approach to the narrative series called “Tríptico del carnaval” – perhaps the most popular by Pitol – and explains some of Cervantes’s metafictional strategies, such as the breaking of the fourth wall, autobiographical fiction, and parodic intertextuality.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-01
dc.dateAccepted	2021-06-21
dc.dateSubmitted	2021-02-08
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-580-3/motivos-quijotescos-y-metaficcion-cervantina-en-el/
dc.identifier.doi	10.30687/978-88-6969-579-7/021
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-580-3
dc.identifier.eisbn	978-88-6969-579-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Don Quixote
dc.subject	Don Quixote
dc.subject	Metafiction
dc.subject	Metafiction
dc.subject	Sergio Pitol
dc.subject	Sergio Pitol
dc.subject	Tríptico del carnaval
dc.subject	Tríptico del carnaval

Capitolo
open access peer reviewed

Motivos quijotescos y metaficción cervantina en el «Tríptico del carnaval» de Sergio Pitol

Luis Carlos Salazar Quintana Universidad Autónoma de Ciudad Juárez, México

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abstract

Specialised critics have dealt extensively with the influence that Mikhail Bakhtin had on Sergio Pitol through the concept of carnival. They have neglected, however, the aesthetic debt that the Mexican writer owes to Miguel de Cervantes. This kind of influence can be seen not only in the quixotic topics recreated in Pitol’s production but also in his metafictional conception. This article offers an approach to the narrative series called “Tríptico del carnaval” – perhaps the most popular by Pitol – and explains some of Cervantes’s metafictional strategies, such as the breaking of the fourth wall, autobiographical fiction, and parodic intertextuality.

Pubblicato

01 Dicembre 2021

Accettato

21 Giugno 2021

Presentato

08 Febbraio 2021

Lingua

ISBN (PRINT)

978-88-6969-580-3

ISBN (EBOOK)

978-88-6969-579-7

Keywords: Metafiction • Sergio Pitol • Don Quixote • Tríptico del carnaval

permalink: http://doi.org/10.30687/978-88-6969-579-7/021

Copyright: © 2021 Luis Carlos Salazar Quintana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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