La acotación como texto

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Campo DC	Valore
dc.identifier	ECF_chapter_2218
dc.contributor.author	Pontón Gonzalo
dc.title	La acotación como texto. Con ejemplos de Lope de Vega
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	The comparison between Lope de Vega’s autograph stage directions and the corresponding printed versions in his Partes de comedias shows significant textual differences, which demonstrate at least two important facts: 1) the textual instability of the stage directions – copyists and compositors don’t see the stage directions as texts to be copied literally and in their integrity, and 2) the existence of a pattern of intervention by the printers, with the purpose of adapting the stage directions to the act of reading, in different and not always systematic ways. This paper tackles these issues, tries to delineate the specific problems raised by the editing of stage directions, and suggests some lines of action.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-11
dc.dateAccepted	2018-09-13
dc.dateSubmitted	2018-09-03
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-305-2/la-acotacion-como-texto/
dc.identifier.doi	10.30687/978-88-6969-304-5/003
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-305-2
dc.identifier.eisbn	978-88-6969-304-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Editorial criteria
dc.subject	Editorial criteria
dc.subject	Holograph manuscripts
dc.subject	Holograph manuscripts
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Printed plays
dc.subject	Printed plays
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Textual studies
dc.subject	Textual studies

Capitolo
open access peer reviewed

La acotación como texto

Con ejemplos de Lope de Vega

Gonzalo Pontón Universidad Autónoma de Barcelona

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abstract

The comparison between Lope de Vega’s autograph stage directions and the corresponding printed versions in his Partes de comedias shows significant textual differences, which demonstrate at least two important facts: 1) the textual instability of the stage directions – copyists and compositors don’t see the stage directions as texts to be copied literally and in their integrity, and 2) the existence of a pattern of intervention by the printers, with the purpose of adapting the stage directions to the act of reading, in different and not always systematic ways. This paper tackles these issues, tries to delineate the specific problems raised by the editing of stage directions, and suggests some lines of action.

Pubblicato

11 Dicembre 2018

Accettato

13 Settembre 2018

Presentato

03 Settembre 2018

Lingua

ISBN (PRINT)

978-88-6969-305-2

ISBN (EBOOK)

978-88-6969-304-5

Keywords: Printed plays • Holograph manuscripts • Editorial criteria • Lope de Vega • Stage directions • Textual studies

permalink: http://doi.org/10.30687/978-88-6969-304-5/003

Copyright: © 2018 Gonzalo Pontón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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