Leer mirando. Elementos para la comprensión y el análisis de…

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Campo DC	Valore
dc.identifier	ECF_article_1579
dc.title	Leer mirando. Elementos para la comprensión y el análisis de la literatura digital latinoamericana
dc.contributor.author	Gómez Verónica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2018/110/leer-mirando-elementos-para-la-comprension-y-el-an/
dc.description.abstract	The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 41 \| Num. 110 \| Dicembre 2018
dc.issued	2018-12-11
dc.dateAccepted	2018-06-17
dc.dateSubmitted	2018-04-16
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2018/110/004
dc.peer-review	yes
dc.subject	E-literature
dc.subject	E-literature
dc.subject	Latin America
dc.subject	Latin America
dc.subject	Technopoetics
dc.subject	Technopoetics
dc.subject	Visual poetry
dc.subject	Visual poetry

Articolo
open access peer reviewed

Leer mirando. Elementos para la comprensión y el análisis de la literatura digital latinoamericana

Verónica Gómez Universidad Nacional del Litoral; Instituto de Humanidades y Ciencias Sociales-CONICET, Argentina

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abstract

The objective of this article is to define, contribute and analyse to what is called nowadays Latin American electronic literature. Under a predominant global visual culture and following the visual poetry tradition, we aim to define these technopoetics – what –, the reasons to study them – why – and the possibility to develop a method – how. Particularly, we analyse Tatuaje (2014), a work that belongs to the Latin American field regarding the specific context of production and diffusion in this region.

Pubblicato

11 Dicembre 2018

Accettato

17 Giugno 2018

Presentato

16 Aprile 2018

Lingua

Keywords: Visual poetry • Technopoetics • Latin America • E-literature

permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/004

Copyright: © 2018 Verónica Gómez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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