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Resisting Hegemonic Discourse

The Tension Between Document and Fiction in Sergio González Rodríguez’s Huesos en el desierto

Eva Van Hoey    Ghent University, Belgium    

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abstract

Scholars point to the emancipatory potential of contemporary Latin American chronicles, noting that they offer a counterhegemonic discourse on gender violence. However, little attention has been paid to the ways in which this discourse is constructed and made effective. Through the textual analysis of Huesos en el desierto (2002), a chronicle by Sergio González Rodríguez, this article will show how the hybridity of this work reinforces its critical potential. Cognitive poetics will be used to analyse how different techniques used by González Rodríguez not only consolidate his ethos but also provoke a reflection in the reader on the distinctions between fiction and non-fiction. In addition to shedding light on how the genre of the chronicle works, this article aims to offer a new interpretation of Huesos en el desierto. Moreover, it will demonstrate the usefulness of a cognitive approach for a better understanding of contemporary Latin American chronicles.

Published
June 22, 2022
Accepted
July 6, 2021
Submitted
Feb. 18, 2021
Language
ES

Keywords: MexicoLiterary genreGender violenceViolencia de géneroCrónicaMéxicoPoética cognitivaCognitive poeticsGénero literarioChronicle

Copyright: © 2022 Eva Van Hoey. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.