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Les monuments et les erga de Sicile dans le corpus cicéronien

Robinson Baudry    Université Paris Nanterre, France    

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abstract

The erga and the monuments of Sicily are especially evoked in the Verrines, where they appear in the discourse to acknowledge the reality of the crime, to paint the portrait of a godless and uneducated Verres, and to establish a community of values between the Sicilians and the jury. Their presence in the rest of the Ciceronian corpus is part of the criticism of Caesar’s power: they function as political symbols.

Published
Dec. 19, 2023
Accepted
May 19, 2023
Submitted
Feb. 13, 2023
Language
FR
ISBN (PRINT)
978-88-6969-743-2
ISBN (EBOOK)
978-88-6969-742-5

Keywords: PortraitMonumentsTyrannyVerresImpietyCiceroGreek artTrial

Copyright: © 2023 Robinson Baudry. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.