Two Diaries of 1962: Robert Сraft

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DC Field	Value
dc.identifier	ECF_chapter_6963
dc.contributor.author	Kozachenko-Stravinsky Anastasia
dc.title	Two Diaries of 1962: Robert Сraft – Xenia Stravinsky. Memorial Literature as a Historiographical Source of Igor Stravinsky’s Portrait
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Igor Stravinsky has a unique status as a cosmopolitan composer. He was called ‘Russian European’, ‘the exile to an alien culture’, ‘the prodigal son of Russian art’. However, his national self-identification has always remained in question. Discourse about his belonging to one of the other nations appeared in the Russian field only after his ‘return’ to the USSR in 1962 for 21 days. This research is based on the diaries who accompanied Stravinsky during his tour in USSR: Robert Craft (American Conductor and Stravinsky’s secretary) and Xenia Stravinsky (Stravinsky’s niece). Comparing the two diaries provides an exciting opportunity to discover a new vision of Stravinsky’s portrait from two opposite points of view, Soviet and American.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-05-13
dc.dateSubmitted	2021-10-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/two-diaries-of-1962-robert-raft-xenia-stravinsky/
dc.identifier.doi	10.30687/978-88-6969-588-9/018
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-588-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1962
dc.subject	Igor Stravinsky
dc.subject	National identity
dc.subject	Return to USSR
dc.subject	Robert Craft
dc.subject	Russian European
dc.subject	Xenia Stravinsky

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Two Diaries of 1962: Robert Сraft – Xenia Stravinsky

Memorial Literature as a Historiographical Source of Igor Stravinsky’s Portrait

Anastasia Kozachenko-Stravinsky Università Ca’ Foscari Venezia, Italia

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abstract

Igor Stravinsky has a unique status as a cosmopolitan composer. He was called ‘Russian European’, ‘the exile to an alien culture’, ‘the prodigal son of Russian art’. However, his national self-identification has always remained in question. Discourse about his belonging to one of the other nations appeared in the Russian field only after his ‘return’ to the USSR in 1962 for 21 days. This research is based on the diaries who accompanied Stravinsky during his tour in USSR: Robert Craft (American Conductor and Stravinsky’s secretary) and Xenia Stravinsky (Stravinsky’s niece). Comparing the two diaries provides an exciting opportunity to discover a new vision of Stravinsky’s portrait from two opposite points of view, Soviet and American.

Published

May 13, 2022

Submitted

Oct. 19, 2021

Language

ISBN (EBOOK)

978-88-6969-588-9

Keywords: Russian European • Return to USSR • 1962 • Igor Stravinsky • Xenia Stravinsky • National identity • Robert Craft

permalink: http://doi.org/10.30687/978-88-6969-588-9/018

Copyright: © 2022 Anastasia Kozachenko-Stravinsky. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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