Places. What Places?

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DC Field	Value
dc.identifier	ECF_book_425
dc.creator	Parra Bañón José Joaquín
dc.title	Places. What Places?
dc.type	Edited book
dc.language.iso	es
dc.description.abstract	Lugares ¿Qué lugares? suspects that the links and correspondences between Captain Ahab's boundless ocean and Bartleby's cenobitic office go beyond Melville: that they transcend their author and the terse universe of the word. What is the common trait between the human lap in which someone takes shelter, the cavern in which the hermit isolates himself, the enclosure limited by the parenthesis, a theatre stage, and a city built with lines or composed of images? When does a place, a space, an atmosphere, a text, an architecture, a cartography or a sequence become a place and how and why does it lose its status as such? Threaded with questions, Lugares ¿Qué lugares? gathers some hypotheses.
dc.relation.ispartof	Library of Rassegna iberistica
dc.identifier.doi	10.30687/978-88-6969-432-5
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-07-09
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-433-2/
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-433-2
dc.identifier.eisbn	978-88-6969-432-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Aub : Ibargüengoitia
dc.subject	Aub : Ibargüengoitia
dc.subject	Aub : Ibargüengoitia
dc.subject	Borges : Faulkner
dc.subject	Borges : Faulkner
dc.subject	Borges : Faulkner
dc.subject	Catalan cinema
dc.subject	Catalan cinema
dc.subject	Catalan cinema
dc.subject	Cervantes : Carson
dc.subject	Cervantes : Carson
dc.subject	Cervantes : Carson
dc.subject	City
dc.subject	City
dc.subject	City
dc.subject	Contemporary Catalan theatre
dc.subject	Contemporary Catalan theatre
dc.subject	Contemporary Catalan theatre
dc.subject	Country image
dc.subject	Country image
dc.subject	Country image
dc.subject	Cunillé
dc.subject	Cunillé
dc.subject	Cunillé
dc.subject	Disappearances
dc.subject	Disappearances
dc.subject	Disappearances
dc.subject	Drama
dc.subject	Drama
dc.subject	Drama
dc.subject	Eduardo Mendoza
dc.subject	Eduardo Mendoza
dc.subject	Eduardo Mendoza
dc.subject	Exile
dc.subject	Exile
dc.subject	Exile
dc.subject	Jesús Franco
dc.subject	Jesús Franco
dc.subject	Jesús Franco
dc.subject	Literature
dc.subject	Literature
dc.subject	Literature
dc.subject	Literature
dc.subject	Literature
dc.subject	Memory
dc.subject	Memory
dc.subject	Memory
dc.subject	Metro
dc.subject	Metro
dc.subject	Metro
dc.subject	Miss Muerte
dc.subject	Miss Muerte
dc.subject	Miss Muerte
dc.subject	Narrative space
dc.subject	Narrative space
dc.subject	Narrative space
dc.subject	Necronomicon
dc.subject	Necronomicon
dc.subject	Necronomicon
dc.subject	Parenthesis : Architecture
dc.subject	Parenthesis : Architecture
dc.subject	Parenthesis : Architecture
dc.subject	Pere Gimferrer
dc.subject	Pere Gimferrer
dc.subject	Pere Gimferrer
dc.subject	Pessoa : Campos
dc.subject	Pessoa : Campos
dc.subject	Pessoa : Campos
dc.subject	Plans
dc.subject	Plans
dc.subject	Plans
dc.subject	Space
dc.subject	Space
dc.subject	Space
dc.subject	Space
dc.subject	Space
dc.subject	Space in film
dc.subject	Space in film
dc.subject	Space in film
dc.subject	Spanish and Hipano-American narrative
dc.subject	Spanish and Hipano-American narrative
dc.subject	Spanish and Hipano-American narrative
dc.subject	Spanish cinema
dc.subject	Spanish cinema
dc.subject	Spanish cinema
dc.subject	Surrealism
dc.subject	Surrealism
dc.subject	Surrealism
dc.subject	Tangier
dc.subject	Tangier
dc.subject	Tangier
dc.subject	Tarantino
dc.subject	Tarantino
dc.subject	Tarantino,
dc.subject	Underground City
dc.subject	Underground City
dc.subject	Underground City
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	‘El Chino’
dc.subject	‘El Chino’
dc.subject	‘El Chino’

Edited book
open access

edited by

José Joaquín Parra Bañón Universidad de Sevilla, España

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abstract

Lugares ¿Qué lugares? suspects that the links and correspondences between Captain Ahab's boundless ocean and Bartleby's cenobitic office go beyond Melville: that they transcend their author and the terse universe of the word. What is the common trait between the human lap in which someone takes shelter, the cavern in which the hermit isolates himself, the enclosure limited by the parenthesis, a theatre stage, and a city built with lines or composed of images? When does a place, a space, an atmosphere, a text, an architecture, a cartography or a sequence become a place and how and why does it lose its status as such? Threaded with questions, Lugares ¿Qué lugares? gathers some hypotheses.

Published

July 9, 2020

Language

ISBN (PRINT)

978-88-6969-433-2

ISBN (EBOOK)

978-88-6969-432-5

Keywords

Space in film • Aub : Ibargüengoitia • Jesús Franco • Parenthesis : Architecture • Miss Muerte • Necronomicon • ‘El Chino’ • Eduardo Mendoza • Venice • Contemporary Catalan theatre • Memory • Narrative space • Country image • City • Plans • Cervantes : Carson • Literature • Pessoa : Campos • Pere Gimferrer • Spanish cinema • Cunillé • Metro • Tarantino • Drama • Spanish and Hipano-American narrative • Space • Tangier • Disappearances • Exile • Tarantino, • Surrealism • Underground City • Catalan cinema • Borges : Faulkner

permalink http://doi.org/10.30687/978-88-6969-432-5

Copyright: © 2020 José Joaquín Parra Bañón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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