Chiara Fumai. Medium, Media, Medium

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DC Field	Value
dc.identifier	ECF_chapter_3362
dc.contributor.author	Ragazzi Francesco
dc.title	Chiara Fumai. Medium, Media, Medium
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Chiara Fumai was one of the most relevant Italian artists of her generation, her work having been shown at both the Venice Biennale’s Italian Pavilion and Documenta. In her practice, the performer often quoted feminist texts while playing the role of a woman possessed. I give an account of Fumai’s use of video, comparing it to Rosalind Krauss’s essay Video: The Aesthetics of Narcissism. I explain the artist’s work as a dialectic overcoming of the analogy the critic institutes between the notion of art medium and the figure of the Medium. Highlighting that both Fumai and Krauss see Acconci’s early works as a benchmark, I illustrate how the two built an archeology of contemporary mediality.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-11-28
dc.dateSubmitted	2019-10-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-363-2/chiara-fumai-medium-media-medium/
dc.identifier.doi	10.30687/978-88-6969-362-5/002
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-363-2
dc.identifier.eisbn	978-88-6969-362-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Biennale di Venezia
dc.subject	Biennale di Venezia
dc.subject	Chiara Fumai
dc.subject	Chiara Fumai
dc.subject	Medium
dc.subject	Medium
dc.subject	Rosalind Krauss
dc.subject	Rosalind Krauss
dc.subject	Video Art
dc.subject	Video Art
dc.subject	Vito Acconci
dc.subject	Vito Acconci

Chapter
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Chiara Fumai. Medium, Media, Medium

Francesco Ragazzi Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France

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abstract

Chiara Fumai was one of the most relevant Italian artists of her generation, her work having been shown at both the Venice Biennale’s Italian Pavilion and Documenta. In her practice, the performer often quoted feminist texts while playing the role of a woman possessed. I give an account of Fumai’s use of video, comparing it to Rosalind Krauss’s essay Video: The Aesthetics of Narcissism. I explain the artist’s work as a dialectic overcoming of the analogy the critic institutes between the notion of art medium and the figure of the Medium. Highlighting that both Fumai and Krauss see Acconci’s early works as a benchmark, I illustrate how the two built an archeology of contemporary mediality.

Published

Nov. 28, 2019

Submitted

Oct. 1, 2019

Language

ISBN (PRINT)

978-88-6969-363-2

ISBN (EBOOK)

978-88-6969-362-5

Keywords: Biennale di Venezia • Rosalind Krauss • Chiara Fumai • Video Art • Vito Acconci • Medium

permalink: http://doi.org/10.30687/978-88-6969-362-5/002

Copyright: © 2019 Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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