Del teatro al cine: sobre el concepto de adaptación y

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DC Field	Value
dc.identifier	ECF_chapter_2659
dc.contributor.author	Gómez García Iván
dc.title	Del teatro al cine: sobre el concepto de adaptación y sus transformaciones
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.dateAccepted	2019-04-23
dc.dateSubmitted	2019-02-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/del-teatro-al-cine-sobre-el-concepto-de-adaptacion/
dc.identifier.doi	10.30687/978-88-6969-330-4/002
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Audience
dc.subject	Audience
dc.subject	Cinema
dc.subject	Cinema
dc.subject	Shakespeare
dc.subject	Shakespeare
dc.subject	Theatre
dc.subject	Theatre

Chapter
open access peer reviewed

Del teatro al cine: sobre el concepto de adaptación y sus transformaciones

Iván Gómez García Universitat Oberta de Catalunya, Espanya

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abstract

From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.

Published

July 12, 2019

Accepted

April 23, 2019

Submitted

Feb. 19, 2019

Language

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Keywords: Cinema • Audience • Shakespeare • Theatre • Adaptation

permalink: http://doi.org/10.30687/978-88-6969-330-4/002

Copyright: © 2019 Iván Gómez García. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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