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Entre los Incas y el ‘Che’

El ambiguo indigenismo de la música andina en la Italia de los setenta

Stefano Gavagnin    Sapienza Università di Roma, Italia    

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abstract

The massive success of Latin American folk music in Europe during the 70s ran parallel to the contemporary Spanish-American literary boom. Especially, Andean music could suggest a kind of musical indigenismo, which actively contributed to the creation of a persistent Andean cultural imaginary on that side of the Ocean. This work aims at outlining, through a dialogue with the documents and the testimonies of the local reception, some specific characteristics of the diffusion of Andean music in Italy. This coincided with the diffusion of the New Chilean Song, after the military coup in 1973, generating an ambiguous overlap between the two musical areas.

Published
May 14, 2019
Accepted
March 8, 2019
Submitted
Feb. 6, 2019
Language
ES
ISBN (PRINT)
978-88-6969-320-5
ISBN (EBOOK)
978-88-6969-319-9

Keywords: Italian reception of Latin-American musicNueva Canción ChilenaLatin-American boomLos CalchakisAndean musicInti-Illimani

Copyright: © 2019 Stefano Gavagnin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.