Reyes de la gasolinera

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DC Field	Value
dc.identifier	ECF_chapter_2382
dc.contributor.author	López Castellano Ramón
dc.title	Reyes de la gasolinera. La rumba vallecana y el cuerpo biorrumbero de la Transición
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-02-04
dc.dateSubmitted	2018-11-08
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-303-8/reyes-de-la-gasolinera/
dc.identifier.doi	10.30687/978-88-6969-302-1/008
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-303-8
dc.identifier.eisbn	978-88-6969-302-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Nacionalflamenquismo
dc.subject	Nacionalflamenquismo
dc.subject	Quinqui
dc.subject	Quinqui
dc.subject	Rumba vallecana
dc.subject	Rumba vallecana
dc.subject	Spanish Transition
dc.subject	Spanish Transition

Chapter
open access peer reviewed

Reyes de la gasolinera

La rumba vallecana y el cuerpo biorrumbero de la Transición

Ramón López Castellano University of Deakin, Victoria, Australia

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abstract

The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.

Published

Feb. 4, 2019

Submitted

Nov. 8, 2018

Language

ISBN (PRINT)

978-88-6969-303-8

ISBN (EBOOK)

978-88-6969-302-1

Keywords: Rumba vallecana • Quinqui • Nacionalflamenquismo • Spanish Transition

permalink: http://doi.org/10.30687/978-88-6969-302-1/008

Copyright: © 2019 Ramón López Castellano. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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