Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Symbols • Дмитрий Жилинский • Project Method – Dynamics • Compositional axes • Quattrocento • Bouchot • Monumental painting • Videographic criticism • Expressionism • Miniature • Unity of West and East • Nostalgia • Richard Wollheim • Central Asian architectural décor • Type-token distinction • Islamic architectural ornament • 15th century • Livre d’artiste • Abstraction • Easel Painters’ Society • Berlin Dada • Postcolonial studies • Non finito • Eugene Lanceray • Shape of water • Soviet painting • Interpretation • Formula similarity • Nicholas Roerich • Proto-Renaissance • Pre-Columbian collections • Italian Studies • Stucco • Museum of Painterly Culture • Weimar art • Prophecy • Art ontology • Film studies • Old masters • Medieval mosaic floor • Dogma • National style • Allegory of Russia • Post-Impressionism • Islimi • Roger Fry • Religion • Peltae pattern • Kazan railway station • YouTube • Pre-Columbian art • Perception • ‘Peace’ • Print • Art history and ethnography • Allegory for peace • Canon • Tangible forms • Apocalypse • Academicism • Christianism • Statics • Venturi • Woodcut • Edwardian gift book • Book illustration • Soviet painter • Influence • Girikh • Italian painting • Easel painting • Russian art • Contemporary Soviet Art • Post-media condition • Non-European art exhibitions • Gunch • New Objectivity • Modernism • Nineteenth-century France • VKHUTEMAS • Dmitry Zhilinsky • Art Nouveau • Post-soviet society • Timur Novikov • History of collections • ‘Motherland’ • Joseph Margolis • Marble slab • Nineteenth-century editions • Parody • Systems • Art ‘before Raphael’ • Artistic reception • Post-soviet art • Speculative cinema • Reception • Artie Vierkant • Visual perception • Celebration of unity • Soviet architectural décor